Clique no link acima para ouvir a música "I Just Wanna" do álbum Revenge (1992).
Preste atenção na qualidade! Pois esta música é a mesma que está neste post...os dados que você verá no link do 4shared são os mesmos que você verá quando ouvir este som no VUPlayer!
Este é o único blog de rock do Brasil em que o usuário tem a oportunidade de ouvir uma música da discografia que está sendo publicada antes de a baixar, em tempo real!
Só aqui você tem esta opção porque eu realmente banco e garanto a qualidade dos meus arquivos, porque eu os faço um á um, não sou como outros preguiçosos que tem por aí, que baixam discografias prontas de torrents, apagam o nome dos autores originais, colocam o seu nome e sobem para contas anônimas de sites de compartilhamento.
58 músicas de estúdio. Isso é o que há nos 5 cds do álbum Revenge. Baixe agora mesmo este disco, para isso clique no link que aparece nesta mensagem, entre no blog, veja o post até o final e encontre os links para baixar todos estes álbuns.
Neste disco tem versões demo, ensaios de estúdio e de turnê, outtakes, versões intrumentais, e claro, muitos bonus tracks. A versão mais completa deste álbum magnífico até este momento está a sua disposição apenas neste blog para satisfazer o mais fanático fã do Kiss.
Se esta for a primeira vez que você acessa este blog, leia tudo o que se encontra nesta página. Quando você for acessar outro post, poderá pular o texto a seguir e seguir em frente. È importante que você saiba exatamente porque este blog não segue a linha de tantos outros por aí, porque aqui duas coisas você pode ter a certeza absoluta que encontrará, conteúdo diferenciado e exclusivo e arquivos com a mais alta qualidade sonora da internet. Para tanto, eu disponibilizo o meu próprio player de áudio, totalmente na nossa língua portuguesa para que você obtenha a máxima satisfação ao ouvir estes arquivos de áudio, seja usando headphones ou escutando em um aparelho de som
A Wikipédia é uma ferramenta de pesquisa maravilhosa, sem dúvida. No entanto, como qualquer outra coisa, precisa se saber como usa-lá.
Por exemplo, se fosse possível utilizá-la para ler qualquer coisa em qualquer idioma, com uma tradução fiel a lingua original, não existiriam páginas específicas em determinadas linguagens, mas sim uma única opção de tradução, em que em um passe de mágica você veria um texto escrito em chinês traduzido fielmente para o russo ou árabe. Provavelmente você continuaria sem entender o que aquilo significava, caso não dominasse integralmente aquele idioma.
Existem alguns assuntos em que você pode encontrar um artigo escrito em inglês que pode ser traduzido para o português com uma tradução ao pé ao letra, porém outros foram feitos utilizando o recurso de copiar e colar apenas.
Isso acontece muito no que diz respeito á biografias de bandas e cantores. Então o que acontece? Alguém vai lá na página da Wikipédia que está em português, copia e cola o texto errado, e coloca isso no seu blog. O motivo para isso é que alguém entrou na página da Wikipédia americana / inglesa, copiou todo o texto, jogou na caixa do Google Tradutor e colou o resultado, cheio de palavras erradas, verbos e etc.
Eu sou da seguinte opnião; quer fazer algo, faça. Mas faça direito. O trabalho é sempre o mesmo, seja para fazer algo certo ou errado. Quando se faz uma coisa mal feita, o prejuízo é dobrado: além disso comprometer o resultado do trabalho, desmonstra desleixo, relaxo e falta de atenção.
Por mim mesmo eu não colocaria a história de nenhum artista aqui. Porque? Porque é um longo texto que tornará os meus posts ainda maiores. Mas eu sei que se eu não fizer isso, alguém vai falar ´O blog do Fulano tem, e este não´.
Então para mim é preferível que se alguém for comparar este meu honesto blog com outro, que seja sempre em um pé de igualdade e nunca abaixo disso. Porque se amanhã alguém decidir fazer algo temático como eu faço hoje, as pessoas iram dizer, ´O blog do outro foi o primeiro a fazer isso´.
A minha vontade de não escrever a história dos artistas aqui, foi baseado principalmente no que eu vejo quando saio na rua; vejo carros que passam com pessoas ouvindo som alto que toca diversas porcarias, menos rock.
Então parece que ou pessoas que gostam de rock não tem carro ou então que estas pessoas jovens já crescem com o mal gosto definido, então porque colocar a história destas bandas e cantores, que já não são novidade para ninguém?
As pessoas mais velhas que já conhecem estes artistas não vão ler aquilo tudo outra vez, ou se forem ler, já perderam o tesão logo no começo, com um texto com erros crasos de português.
Então para satisfazer a todos, e principalmente para continuar fazendo as coisas bem feitas, como devem ser, eu vou colocar a história do Kiss na versão original da página da Wikipédia em inglês. A pessoa que fez esta página buscou as informações corretas e tem mais autoridade para falar deles do que alguma pessoa preguiçosa que não quis se dar ao trabalho árduo de fazer uma tradução digna do nível que eles merecem.
O melhor jeito de se adquirir conhecimento é se buscando as informações direto na fonte, ou então você corre o risco de aprender os que os outros querem que você aprenda e desta maneira em vez de você criar a sua própria opnião você termina por adotar a dos outros e assim pensa com a cabeça deles, e não com a sua.
Partindo disso, você tem três opções: instalar um plugin no Firefox e traduzir esta página em tempo real, copiar este texto longo, jogá-lo no Google Tradutor, salvar o que vier de lá e mais tarde arrumá-lo da forma que você achar melhor ou então copiar este texto, salvá-lo no Bloco de Notas e baixar o tradutor off-line Lingoes que eu disponibilizarei em breve no Painel de Avisos e traduzí-lo no conforto do seu lar, de acordo com a sua disponibilidade de tempo, paciência e disposição.
Isso claro se para você for realmente necessário. Eu leio em inglês e consigo entender o conceito da frase, e isso para mim na maioria das vezes me satisfaz, quando isso não basta, eu traduzo uma palavra que eu não sei o que significa e isso resolve o problema.
Mais para a frente, quando eu tiver tempo, eu pretendo traduzir este texto e republicá-lo em portugues, mas isso é algo sem data definida.
Kiss: História Completa
Primeira Formação: Wicked Lester (1971-1973)
Paul Stanley, Ace Frehley, Gene Simmons e Peter Criss
Segunda Formação: Kiss (1974-1979)
Paul Stanley, Peter Criss, Gene Simmons e Ace Frehley
Terceira Formação: Kiss (1980-1982)
Gene Simmons, Eric Carr, Paul Stanley e Ace Frehley
Quarta Formação: Kiss (1982-1984)
Vinnie Vincent, Eric Carr, Gene Simmons e Paul Stanley
Quinta Formação: Kiss (1984)
Gene Simmons, Eric Carr, Paul Stanley e Mark St. John
Sexta Formação: Kiss (1984-1991)
Bruce Kulick, Paul Stanley, Eric Carr e Gene Simmons
Sétima Formação: Kiss (1991-1996)
Gene Simmons, Eric Singer, Paul Stanley e Bruce Kulick
Oitava Formação: Kiss (1996-2002)
Paul Stanley, Peter Criss, Ace Frehley, Gene Simmons
Nona Formação: Kiss (2002-Presente)
Gene Simmons, Eric Singer, Paul Stanley e Tommy Thayer
The band has gone through several lineup changes, with Stanley and Simmons the only remaining original members. The original and best-known lineup consisted of Stanley (lead vocals and rhythm guitar), Simmons (vocals and bass guitar), Ace Frehley (lead guitar and vocals) and Peter Criss (drums and vocals).
With their make-up and costumes, they took on the personae of comic book-style characters: The Starchild (Stanley), The Demon (Simmons), The Spaceman or Space Ace (Frehley) and The Catman (Criss). Due to creative differences, both Criss and Frehley had departed the group by 1982.
In 1983, Kiss began performing without makeup and costumes, thinking that it was time to leave the makeup behind. The band accordingly experienced a minor commercial resurgence, and their music videos received regular airplay on MTV. Drummer Eric Carr, who had replaced Criss in 1980, died in 1991 of a rare type of heart cancer and was replaced by Eric Singer.
In response to a wave of Kiss nostalgia in the mid-1990s, the band announced a reunion of the original lineup in 1996, which also saw the return of their makeup and stage costumes. The resulting Alive/Worldwide Tour was commercially successful. Criss and Frehley have both since left the band again and have been replaced by Singer and Tommy Thayer, respectively.
Kiss has sold more than 100 million records worldwide, including 25 million RIAA-certified albums. On April 10, 2014, Kiss was inducted into the Rock and Roll Hall of Fame.
1971–1975: Early Years
Kiss traces its roots to Wicked Lester, a New York City-based rock band led by Gene Simmons and Paul Stanley. They recorded one album, which was shelved by Epic Records, and played a handful of live shows. Simmons and Stanley, feeling that a new musical direction was needed, abandoned Wicked Lester in 1972 and began forming a new group.
In late 1972, Simmons and Stanley came across an ad in the East Coast version of Rolling Stone placed by Peter Criss, a veteran drummer from the New York City scene who had previously played in the bands Lips and Chelsea.
Simmons and Stanley met him in a nightclub where he was playing drums. After hearing Criss sing, they thought of him being in the band. Criss then auditioned for and later joined the new version of Wicked Lester. The trio focused on a much harder style of rock than Wicked Lester played. They also began experimenting with their image by wearing makeup and various outfits. In November 1972, the trio played a showcase for Epic Records A&R director Don Ellis, in an effort to secure a record deal. Although the performance went well, Ellis disliked the group image and music.
In early January 1973, the group added lead guitarist Ace Frehley. Frehley impressed the group with his first audition, although he showed up wearing two different colored sneakers, one red and one orange. A few weeks after Frehley joined, Wicked Lester changed their name to Kiss.
Stanley came up with the name while he, Simmons, and Criss were driving around New York City. Criss mentioned that he had been in a band called Lips, so Stanley said something to the effect of "What about Kiss?" Frehley created the now-iconic logo, making the "SS" look like lightning bolts, when he went to write the new band name over "Wicked Lester" on a poster outside the club where they were going to play. Stanley designed the logo with a Sharpie and a ruler and accidentally drew the two S's unparallel because he did it "by eye." The art department asked him if we wanted it to be redrafted to be perfect and he said, "It got us this far, let’s leave well enough alone. Our number one rule has always been no rules.
The runic letters happened to look similar to the insignia of the Nazi SS, a symbol that is outlawed in Germany by the section 86a of the German criminal code. Since 1979 most of the band's album covers and merchandise in Germany have used an alternate logo, in which the letters "SS" look like the letters "ZZ" backwards. This logo is also used in Austria, Switzerland, Poland, Lithuania, Hungary, and Israel to avoid controversy.
The band name has repeatedly been the subject of rumors pertaining to alleged hidden meanings. Among these rumors are claims that the name is an acronym for "Knights In Satan Service", "Kinder SS", or "Kids In Satan Service". Simmons has denied all of these claims.
The first Kiss performance was on January 30, 1973, for an audience of three at the Popcorn Club (renamed Coventry shortly afterward) in Queens. For the first three gigs, January 30 to February 1, they wore little to no makeup; the iconic makeup designs associated with Kiss made their debut during the March 9–10 shows at The Daisy in Amityville, New York.
On March 13 of that year, the band recorded a five-song demo tape with producer Eddie Kramer. Former TV director Bill Aucoin, who had seen the group at a handful of showcase concerts in the summer of 1973, offered to become the band manager in mid-October. Kiss agreed, with the condition that Aucoin sign the band to a record label within two weeks. On November 1, 1973, Kiss became the first act signed to former teen pop singer and Buddah Records executive Neil Bogart new label, Casablanca Records.
The band entered Bell Sound Studios in New York City on October 10, 1973 to begin recording their first album. On December 31 the band had their official industry premiere at the Academy of Music in New York City, opening for Blue Öyster Cult. It was at this concert that Simmons accidentally set his hair (which was coated in hairspray) ablaze for the first of many times while performing his fire-breathing routine.
Kiss first tour started on February 5, 1974 in Edmonton, Alberta, Canada, at the Northern Alberta Jubilee Auditorium, as an opening act. The band self-titled debut album was released on February 18. Casablanca and Kiss promoted the album heavily throughout the spring and summer of 1974. On February 19, the band performed "Nothing to Lose", "Firehouse", and "Black Diamond" on ABC In Concert (aired March 29), their first television appearance.
On April 29, the band performed "Firehouse" on The Mike Douglas Show. This broadcast included Simmons first televised interview, a conversation with Mike Douglas in which Simmons declared himself "evil incarnate", eliciting uncomfortable reactions from a confused studio audience. Fellow guest Totie Fields said it would be humorous if, beneath all the make-up, Simmons was "just a nice Jewish boy". Simmons responded, "You should only know", to which Fields replied, "I do. You cant hide the hook", a reference to the stereotypical "Jewish" nose.
Despite the publicity and constant touring, Kiss initially sold just 75,000 copies. Meanwhile, the group and Casablanca Records were losing money quickly. The band (while touring) stopped in Los Angeles in August 1974 to begin recording their second album, Hotter Than Hell, which was released on October 22, 1974. The only single, "Let Me Go, Rock & Roll", failed to chart, and the album stalled at No. 100.
With Hotter Than Hell quickly dropping off the charts, Kiss was pulled from their tour to quickly record a new album. Casablanca head Neil Bogart stepped in to produce the next album, trading in the murky, distorted sound of Hotter Than Hell for a cleaner and slightly poppier sound. Dressed to Kill, released on March 19, 1975, fared slightly better commercially than Hotter Than Hell. It also contained what later became the band signature song, "Rock & Roll All Night".
Although Kiss albums had not proved to be big sellers, the band was quickly gaining a reputation for their live performances. Kiss concerts featured such spectacles as Simmons spitting "blood" (an effect made primarily from raw egg whites, strawberry syrup, and red food coloring) and "breathing fire" (spitting flammable liquid at a torch), Frehley soloing as his guitar burst into flames (light and smoke bombs placed inside the guitar), Criss elevating drum riser that emitted sparks, Stanley Townshend-style guitar smashing, and pyrotechnics throughout the show.
By late 1975, Casablanca was almost bankrupt, and Kiss was in danger of losing their record contract. Both parties desperately needed a commercial breakthrough if they were to survive. That breakthrough came in an unlikely form: a "double live" album.
In late 1972, Simmons and Stanley came across an ad in the East Coast version of Rolling Stone placed by Peter Criss, a veteran drummer from the New York City scene who had previously played in the bands Lips and Chelsea.
Simmons and Stanley met him in a nightclub where he was playing drums. After hearing Criss sing, they thought of him being in the band. Criss then auditioned for and later joined the new version of Wicked Lester. The trio focused on a much harder style of rock than Wicked Lester played. They also began experimenting with their image by wearing makeup and various outfits. In November 1972, the trio played a showcase for Epic Records A&R director Don Ellis, in an effort to secure a record deal. Although the performance went well, Ellis disliked the group image and music.
In early January 1973, the group added lead guitarist Ace Frehley. Frehley impressed the group with his first audition, although he showed up wearing two different colored sneakers, one red and one orange. A few weeks after Frehley joined, Wicked Lester changed their name to Kiss.
Stanley came up with the name while he, Simmons, and Criss were driving around New York City. Criss mentioned that he had been in a band called Lips, so Stanley said something to the effect of "What about Kiss?" Frehley created the now-iconic logo, making the "SS" look like lightning bolts, when he went to write the new band name over "Wicked Lester" on a poster outside the club where they were going to play. Stanley designed the logo with a Sharpie and a ruler and accidentally drew the two S's unparallel because he did it "by eye." The art department asked him if we wanted it to be redrafted to be perfect and he said, "It got us this far, let’s leave well enough alone. Our number one rule has always been no rules.
The runic letters happened to look similar to the insignia of the Nazi SS, a symbol that is outlawed in Germany by the section 86a of the German criminal code. Since 1979 most of the band's album covers and merchandise in Germany have used an alternate logo, in which the letters "SS" look like the letters "ZZ" backwards. This logo is also used in Austria, Switzerland, Poland, Lithuania, Hungary, and Israel to avoid controversy.
The band name has repeatedly been the subject of rumors pertaining to alleged hidden meanings. Among these rumors are claims that the name is an acronym for "Knights In Satan Service", "Kinder SS", or "Kids In Satan Service". Simmons has denied all of these claims.
The first Kiss performance was on January 30, 1973, for an audience of three at the Popcorn Club (renamed Coventry shortly afterward) in Queens. For the first three gigs, January 30 to February 1, they wore little to no makeup; the iconic makeup designs associated with Kiss made their debut during the March 9–10 shows at The Daisy in Amityville, New York.
On March 13 of that year, the band recorded a five-song demo tape with producer Eddie Kramer. Former TV director Bill Aucoin, who had seen the group at a handful of showcase concerts in the summer of 1973, offered to become the band manager in mid-October. Kiss agreed, with the condition that Aucoin sign the band to a record label within two weeks. On November 1, 1973, Kiss became the first act signed to former teen pop singer and Buddah Records executive Neil Bogart new label, Casablanca Records.
The band entered Bell Sound Studios in New York City on October 10, 1973 to begin recording their first album. On December 31 the band had their official industry premiere at the Academy of Music in New York City, opening for Blue Öyster Cult. It was at this concert that Simmons accidentally set his hair (which was coated in hairspray) ablaze for the first of many times while performing his fire-breathing routine.
Kiss first tour started on February 5, 1974 in Edmonton, Alberta, Canada, at the Northern Alberta Jubilee Auditorium, as an opening act. The band self-titled debut album was released on February 18. Casablanca and Kiss promoted the album heavily throughout the spring and summer of 1974. On February 19, the band performed "Nothing to Lose", "Firehouse", and "Black Diamond" on ABC In Concert (aired March 29), their first television appearance.
On April 29, the band performed "Firehouse" on The Mike Douglas Show. This broadcast included Simmons first televised interview, a conversation with Mike Douglas in which Simmons declared himself "evil incarnate", eliciting uncomfortable reactions from a confused studio audience. Fellow guest Totie Fields said it would be humorous if, beneath all the make-up, Simmons was "just a nice Jewish boy". Simmons responded, "You should only know", to which Fields replied, "I do. You cant hide the hook", a reference to the stereotypical "Jewish" nose.
Despite the publicity and constant touring, Kiss initially sold just 75,000 copies. Meanwhile, the group and Casablanca Records were losing money quickly. The band (while touring) stopped in Los Angeles in August 1974 to begin recording their second album, Hotter Than Hell, which was released on October 22, 1974. The only single, "Let Me Go, Rock & Roll", failed to chart, and the album stalled at No. 100.
With Hotter Than Hell quickly dropping off the charts, Kiss was pulled from their tour to quickly record a new album. Casablanca head Neil Bogart stepped in to produce the next album, trading in the murky, distorted sound of Hotter Than Hell for a cleaner and slightly poppier sound. Dressed to Kill, released on March 19, 1975, fared slightly better commercially than Hotter Than Hell. It also contained what later became the band signature song, "Rock & Roll All Night".
Although Kiss albums had not proved to be big sellers, the band was quickly gaining a reputation for their live performances. Kiss concerts featured such spectacles as Simmons spitting "blood" (an effect made primarily from raw egg whites, strawberry syrup, and red food coloring) and "breathing fire" (spitting flammable liquid at a torch), Frehley soloing as his guitar burst into flames (light and smoke bombs placed inside the guitar), Criss elevating drum riser that emitted sparks, Stanley Townshend-style guitar smashing, and pyrotechnics throughout the show.
By late 1975, Casablanca was almost bankrupt, and Kiss was in danger of losing their record contract. Both parties desperately needed a commercial breakthrough if they were to survive. That breakthrough came in an unlikely form: a "double live" album.
1975–1978: Rise to Prominence
Kiss wanted to express the excitement felt at their concerts (which their studio albums had so far failed to do) with their first live album. Compiled from May–July concerts in Detroit, Cleveland and Wildwood, NJ and released on September 10, 1975, Alive! achieved Gold status and spawned Kiss first top 40 single: a live version of "Rock & Roll All Night".
It was the first version of the song with a guitar solo, and this recording has become the best-known version. It is also the basis of most covers, such as the cover by Poison in 1987. In recent years the band admitted that additional audience noise had been added to the album, as well as overdubs on select guitar and vocal spots, not to deceive fans, but to add more "excitement and realism" to the record.
The success of Alive! not only brought Kiss the breakthrough they had been seeking, but arguably saved Casablanca, which was close to bankruptcy. Following this success, Kiss partnered with producer Bob Ezrin, who had previously worked with Alice Cooper. The result was Destroyer (released March 15, 1976), Kiss most musically ambitious studio album to date.
Destroyer, with its rather intricate production (using an orchestra, choir, and numerous tape effects), was a departure from the raw sound of the first three studio albums. Album art was designed by Ken Kelly, who had drawn Tarzan, Conan the Barbarian and also produced album covers for acts such as Rainbow and Manowar.
While the album sold well initially and became the group second gold album, it quickly dropped down the charts. Only when the ballad "Beth", the B-side to the single "Detroit Rock City", began to gain more airplay on FM radio did the album sales rebound. The single was subsequently reissued with the A and B-sides reversed. "Beth" peaked at number seven on the Billboard Hot 100, and its success led to an increase in sales for both the album (which achieved platinum status by the end of 1976) and concert tickets.
In October 1976, Kiss appeared on The Paul Lynde Halloween Special, lip-synching "Detroit Rock City", "Beth", and "King of The Night Time World". The show, co-produced by Bill Aucoin, helped introduce Kiss to an even wider audience.
In addition to the three songs, Kiss was the subject of a brief comedic "interview" conducted by Paul Lynde. This included Lynde noting, when hearing the member first names, "Oh, I love a good religious group." The group was introduced to Lynde by Margaret Hamilton, reprising her character of the Wicked Witch of the West from The Wizard Of Oz.
Two more highly successful studio albums were released in less than a year: Rock & Roll Over (November 11, 1976) and Love Gun (June 30, 1977). A second live album, Alive II, was released on October 14, 1977. All three albums were certified platinum soon after their release. Between 1976 and 1978, Kiss earned $17.7 million from record royalties and music publishing. A 1977 Gallup poll named Kiss the most popular band in America. In Japan, Kiss performed five sold-out shows at Tokyo Budokan Hall, breaking the previous record of four held by the Beatles.
In May 1977, Kiss made their first of many comic appearances in Howard the Duck issue 12, published by Marvel Comics. This served as a precursor to many more Kiss-related comics, initially published by Marvel.
The first Kiss compilation album, Double Platinum, was issued on April 2, 1978. This double album included many remixed versions of their hits, as well as "Strutter 78", a re-recorded version of a song from the group first album. At Neil Bogart request, this version of the song featured a disco influence.
During this period, Kiss merchandise became a substantial source of income for the group. Some of the products released included a pair of comic books issued by Marvel (the first one of which contained ink mixed with actual blood donated by the group), a pinball machine, dolls, "Kiss Your Face Makeup" kits, Halloween masks, board games, lunchboxes, trading cards, and many other pieces of memorabilia. Membership in the Kiss Army, the band fan club, was in the six figures. Between 1977 and 1979, worldwide merchandise sales (in-store and on tour) reached an estimated $100 million.
It was the first version of the song with a guitar solo, and this recording has become the best-known version. It is also the basis of most covers, such as the cover by Poison in 1987. In recent years the band admitted that additional audience noise had been added to the album, as well as overdubs on select guitar and vocal spots, not to deceive fans, but to add more "excitement and realism" to the record.
The success of Alive! not only brought Kiss the breakthrough they had been seeking, but arguably saved Casablanca, which was close to bankruptcy. Following this success, Kiss partnered with producer Bob Ezrin, who had previously worked with Alice Cooper. The result was Destroyer (released March 15, 1976), Kiss most musically ambitious studio album to date.
Destroyer, with its rather intricate production (using an orchestra, choir, and numerous tape effects), was a departure from the raw sound of the first three studio albums. Album art was designed by Ken Kelly, who had drawn Tarzan, Conan the Barbarian and also produced album covers for acts such as Rainbow and Manowar.
While the album sold well initially and became the group second gold album, it quickly dropped down the charts. Only when the ballad "Beth", the B-side to the single "Detroit Rock City", began to gain more airplay on FM radio did the album sales rebound. The single was subsequently reissued with the A and B-sides reversed. "Beth" peaked at number seven on the Billboard Hot 100, and its success led to an increase in sales for both the album (which achieved platinum status by the end of 1976) and concert tickets.
In October 1976, Kiss appeared on The Paul Lynde Halloween Special, lip-synching "Detroit Rock City", "Beth", and "King of The Night Time World". The show, co-produced by Bill Aucoin, helped introduce Kiss to an even wider audience.
In addition to the three songs, Kiss was the subject of a brief comedic "interview" conducted by Paul Lynde. This included Lynde noting, when hearing the member first names, "Oh, I love a good religious group." The group was introduced to Lynde by Margaret Hamilton, reprising her character of the Wicked Witch of the West from The Wizard Of Oz.
Two more highly successful studio albums were released in less than a year: Rock & Roll Over (November 11, 1976) and Love Gun (June 30, 1977). A second live album, Alive II, was released on October 14, 1977. All three albums were certified platinum soon after their release. Between 1976 and 1978, Kiss earned $17.7 million from record royalties and music publishing. A 1977 Gallup poll named Kiss the most popular band in America. In Japan, Kiss performed five sold-out shows at Tokyo Budokan Hall, breaking the previous record of four held by the Beatles.
In May 1977, Kiss made their first of many comic appearances in Howard the Duck issue 12, published by Marvel Comics. This served as a precursor to many more Kiss-related comics, initially published by Marvel.
The first Kiss compilation album, Double Platinum, was issued on April 2, 1978. This double album included many remixed versions of their hits, as well as "Strutter 78", a re-recorded version of a song from the group first album. At Neil Bogart request, this version of the song featured a disco influence.
During this period, Kiss merchandise became a substantial source of income for the group. Some of the products released included a pair of comic books issued by Marvel (the first one of which contained ink mixed with actual blood donated by the group), a pinball machine, dolls, "Kiss Your Face Makeup" kits, Halloween masks, board games, lunchboxes, trading cards, and many other pieces of memorabilia. Membership in the Kiss Army, the band fan club, was in the six figures. Between 1977 and 1979, worldwide merchandise sales (in-store and on tour) reached an estimated $100 million.
1978: Solo and Film Projects
Kiss were at their commercial peak by 1978. Alive II was the band fourth platinum album in just under two years, and the ensuing tour had the highest average attendance (13,550) in the group history. In addition, Kiss gross income for 1977 was $10.2 million. The group, along with manager Bill Aucoin, sought to take the band to the next level of popularity. To that end, an ambitious, two-pronged strategy was devised for 1978.
The first part involved the simultaneous release of four solo albums from the members of Kiss. Although Kiss has claimed that the solo albums were intended to ease rising tensions within the band, their 1976 record contract did in fact call for four solo records, with each of them counting as half an album toward the group five-record commitment.
Each album was a solo effort (none of the group appeared on another album), and were all released and marketed as Kiss albums (with similar cover art and poster inserts). It was the first time that all current members of a rock band had released solo albums on the same day.
For the band members, it was a chance to showcase their individual musical styles and tastes outside of Kiss, and in some cases to collaborate with contemporary artists. Stanley and Frehley albums were most similar to Kiss hard rock style, while Criss album featured an R&B style with multiple ballads.
Simmons was the most eclectic of the four, featuring hard rock, ballads, Beatles-influenced pop, and a cover of "When You Wish Upon A Star" from the Disney film Pinocchio. Simmons many collaborators included Aerosmith Joe Perry, Cheap Trick Rick Nielsen, the Doobie Brothers Jeff "Skunk" Baxter, Donna Summer, Janis Ian, Helen Reddy, Bob Seger, Katey Sagal and his then-girlfriend Cher.
The solo albums were released on September 18, 1978. Casablanca spent $2.5 million on the marketing campaign for the albums, and announced they were shipping five million copies, guaranteeing platinum status.
All four solo albums made it into the Top 50 of the Billboard album chart. The albums each sold about as many copies as Love Gun alone. Of the four, Frehley album was the most successful, and spawned the only hit single with a cover of "New York Groove", written by Russ Ballard and originally performed by Hello.
The second part of Kiss and Aucoin plan called for the band to appear in a film that would cement their image as larger-than-life rock and roll superheroes. Filming commenced in the spring of 1978. Although the project was proposed to the band as a cross between A Hard Day Night and Star Wars, the final result fell far short of those expectations. The script underwent numerous rewrites, and the band (particularly Criss and Frehley) grew increasingly frustrated with the filmmaking process.
The final product, entitled Kiss Meets the Phantom of the Park, debuted on NBC on October 28, 1978. Despite scathing reviews, it was one of the highest-viewed TV films of the year. It was released theatrically, after many changes, outside the U.S. in 1979 under the title Attack of the Phantoms.
The band members were unhappy with the finished film, and would speak about their filmmaking experience in later interviews with a mix of humorous embarrassment and regret. They felt that the film portrayed them more as clowns than superheroes. The artistic failure of the film led to a rift between the band and Aucoin. It has been only sporadically available on home video; currently, a version of the film is available on the compilation DVD Kissology Volume Two: 1978–1991.
The first part involved the simultaneous release of four solo albums from the members of Kiss. Although Kiss has claimed that the solo albums were intended to ease rising tensions within the band, their 1976 record contract did in fact call for four solo records, with each of them counting as half an album toward the group five-record commitment.
Each album was a solo effort (none of the group appeared on another album), and were all released and marketed as Kiss albums (with similar cover art and poster inserts). It was the first time that all current members of a rock band had released solo albums on the same day.
For the band members, it was a chance to showcase their individual musical styles and tastes outside of Kiss, and in some cases to collaborate with contemporary artists. Stanley and Frehley albums were most similar to Kiss hard rock style, while Criss album featured an R&B style with multiple ballads.
Simmons was the most eclectic of the four, featuring hard rock, ballads, Beatles-influenced pop, and a cover of "When You Wish Upon A Star" from the Disney film Pinocchio. Simmons many collaborators included Aerosmith Joe Perry, Cheap Trick Rick Nielsen, the Doobie Brothers Jeff "Skunk" Baxter, Donna Summer, Janis Ian, Helen Reddy, Bob Seger, Katey Sagal and his then-girlfriend Cher.
The solo albums were released on September 18, 1978. Casablanca spent $2.5 million on the marketing campaign for the albums, and announced they were shipping five million copies, guaranteeing platinum status.
All four solo albums made it into the Top 50 of the Billboard album chart. The albums each sold about as many copies as Love Gun alone. Of the four, Frehley album was the most successful, and spawned the only hit single with a cover of "New York Groove", written by Russ Ballard and originally performed by Hello.
The second part of Kiss and Aucoin plan called for the band to appear in a film that would cement their image as larger-than-life rock and roll superheroes. Filming commenced in the spring of 1978. Although the project was proposed to the band as a cross between A Hard Day Night and Star Wars, the final result fell far short of those expectations. The script underwent numerous rewrites, and the band (particularly Criss and Frehley) grew increasingly frustrated with the filmmaking process.
The final product, entitled Kiss Meets the Phantom of the Park, debuted on NBC on October 28, 1978. Despite scathing reviews, it was one of the highest-viewed TV films of the year. It was released theatrically, after many changes, outside the U.S. in 1979 under the title Attack of the Phantoms.
The band members were unhappy with the finished film, and would speak about their filmmaking experience in later interviews with a mix of humorous embarrassment and regret. They felt that the film portrayed them more as clowns than superheroes. The artistic failure of the film led to a rift between the band and Aucoin. It has been only sporadically available on home video; currently, a version of the film is available on the compilation DVD Kissology Volume Two: 1978–1991.
1979–1983: Final Makeup Years
Kiss first album of new material in two years, Dynasty (May 22, 1979), continued its platinum streak. The disco-flavored "I Was Made for Loving You" became one of the band biggest hit singles to date, peaking at #11. Session drummer Anton Fig did almost all the percussion on the album while Criss recovered from an automobile accident. The only song to feature Criss drumming was "Dirty Living", on which he also sang the lead.
Billed as "The Return of Kiss", the Dynasty Tour was expected by Kiss and their management to build on the success of previous tours. Plans were drawn up for a Kiss-themed traveling amusement park called "Kiss World", but were abandoned because of the immense costs involved; however, "The Return of Kiss" saw a marked decline in attendance.
The crowds on this tour were much younger than previous audiences had been, with many pre-adolescent children in Kiss make-up with their mothers and fathers (who were sometimes wearing the make-up themselves) in tow at most concerts. Kiss themselves did little to dissuade this new fan base, donning colorful costumes that reinforced a cartoonish image for these younger fans.
The fans were unaware of the dissension within the band. One very public indication of the heightened friction within the group was an infamous October 31, 1979 interview on Tom Snyder late-night The Tomorrow Show. During the episode, a visibly irritated Simmons and Stanley attempted, unsuccessfully, to contain the inebriated Frehley, whose frequent laughter and joking overshadowed the conversation between Snyder and the rest of the band. Criss made references to his large gun collection, to the chagrin of Simmons.
By the end of the Dynasty tour in December 1979, tensions between Criss and the rest of the band were at an all-time high. His drumming skills had noticeably eroded, and he even intentionally slowed down—or stopped playing altogether—during some concerts. The final show of the tour (December 16, 1979) was the last time Criss performed with the group for almost seventeen years, although he remained an official member for nearly six more months.
Anton Fig also played all the drums on the next album Unmasked, although he was uncredited, and Criss appeared on the cover. Showcasing a slick, contemporary pop sound, Unmasked (released May 20, 1980) had the dubious distinction of being the first Kiss album since Dressed to Kill to not achieve platinum sales. Soon after the album release, Criss departure was officially announced.
Fig was considered a member of KISS for one day following the departure of Peter Criss; he was fired by Stanley and Simmons, who felt he was not a good fit for the band.
The band auditioned dozens of replacements for Criss in June 1980, settling on a little-known drummer-guitarist-pianist-keyboardist-singer from Brooklyn named Paul Charles Caravello (born July 12, 1950) who adopted the stage name Eric Carr.
His first make-up design was modeled on a hawk, though it was rejected as Stanley felt it looked more like a chicken. Carr ultimately settled on a "Fox" persona. In his Fox make-up, he was introduced on ABC Kids Are People Too!, and debuted with the group on July 25, 1980 at the Palladium Theatre in New York City.
This was Kiss only U.S. show in support of Unmasked. The band 1980 tour of Australia and New Zealand, on the other hand, was one of the biggest in their history, as they played to sold-out crowds and received overwhelmingly positive press coverage.
For their next album, the band worked with producer Bob Ezrin, with whom Kiss had found success on Destroyer. Early press reports indicated that the new album would be a return to the hard rock style that had originally brought the band success. However, 1981 Music from "The Elder" was a concept album featuring medieval horns, strings, harps, and synthesizers.
The album was presented as a soundtrack to a film that was never made, making it difficult to follow the storyline. To make matters worse, having received negative feedback following their record company preview of the album, Kiss altered the record track sequence in most countries to emphasize potential singles "The Oath" and "A World Without Heroes", which all but guaranteed the inability of listeners to understand the already muddled storyline. Once released, fan reaction to The Elder was harsh; it failed to achieve gold status and peaked at number 75 on the Billboard Album Chart.
The band made only two appearances in support of the new album, both in January 1982. One was a performance on the ABC late-night variety program Fridays, while the second was a lip-synced performance that was broadcast via satellite during Italy Sanremo Music Festival. Kiss also performed "I", and "A World Without Heroes" on Solid Gold.
Absent from the satellite performance was Frehley, who had become increasingly frustrated with Kiss new musical direction. Upset with the band decision to record Music from "The Elder", he did not actively participate in the album creation, only providing lead vocals to one track, "Dark Light".
He did not appear at a special concert at Studio 52 in New York City, leaving Kiss to perform as a trio. He recorded his guitar parts at his home studio in Wilton, Connecticut and mailed them to Ezrin. Another source of frustration for Frehley was that with the departure of Criss, and with Carr not being an equal partner in the band, he was often outvoted 2-to-1 on group decisions. In June 1982, Frehley departure from the band was negotiated, although he did not officially leave until December, and remained a business partner with Simmons and Stanley until 1985.
Simmons stated in his autobiography Kiss and Make-Up that Eddie Van Halen wanted to fill Frehley spot. Simmons and Eddie brother Alex convinced Eddie to remain with Van Halen. Eddie was anxious to break up Van Halen because of tensions with lead singer David Lee Roth, who left the band soon thereafter. Other notable musicians who auditioned for the band include Doug Aldrich of Whitesnake and Dio, Richie Sambora of Bon Jovi, and Yngwie Malmsteen.
Soon after, Kiss made major changes to their business dealings – chief among them was severing ties with their manager of nine years, Bill Aucoin, and cutting back on their unwieldy organizational tree. Although Frehley had already decided to leave the band, he was pictured on the covers of 1982 Killers and Creatures of The Night, although he did not participate in the recording of either album.
Creatures of The Night (October 13, 1982) was Kiss heaviest album to date, and although it fared better than Music from "The Elder", it peaked at only number 45 on the charts and was not certified gold until 1994. In Frehley absence, Kiss utilized a number of guitarists for the recording of the album, including Vinnie Vincent (born Vincent John Cusano on August 6, 1952).
Frehley last appearance with the band (until the 1996 reunion) was in the music video for the single "I Love It Loud", which was co-written by Vincent. Frehley also appeared on the cover of the original Creatures of The Night album artwork.
When the album was re-mixed and re-released in 1985 with a non-makeup cover and a slightly different song order, to reflect the band roster change and abandonment of their makeup and costumes, Vincent was again absent from the album cover, as then-current lead guitarist, Bruce Kulick, appeared instead. The liner notes accompanying the re-mixed LP, however, credited both Ace Frehley and Vinnie Vincent with lead guitar performances on the Creatures of the Night album.
Vincent officially replaced Frehley as lead guitarist in December 1982, as the band embarked on its 10th Anniversary Tour.
Vincent originally wanted to use his birth name in the band, but this was vetoed by Gene Simmons on the grounds that it sounded "too ethnic". Specifically, according to Simmons, "it sounded like a fruit vendor." Simmons went on to note that "fairly or unfairly, rock and roll is about image".
Vincent then suggested the name "Mick Fury", but this was also disallowed. Simmons later suggested the name change to "Vinnie Vincent". Vincent started actively pushing to join Kiss as a full member. Despite the misgivings that both Simmons and Stanley harbored about his personality, Vincent was taken into the band. Stanley designed a character, "The Wiz" also known as "The Egyptian Warrior", and make-up centered around an Egyptian ankh, for Vincent.
According to the official authorized Kiss biography, written by David Leaf and Ken Sharp, "The Egyptian Ankh Warrior" refers to Vincent make-up and persona, while the nickname "The Wiz" refers to his virtuosity as a guitar player. According to Gene Simmon autobiography Kiss and Make-Up, Vincent Kiss persona was solely "The Wiz". A persona as "The Ankh Warrior" or the like, is not mentioned in the book at all.
From 1982 to 1983, the new lineup of Kiss became Simmons (the Demon), Stanley (the Starchild), Eric Carr (the Fox), and Vincent (The Egyptian Warrior or the Wiz. This incarnation of Kiss was to be the last incarnation of the original make-up era.
Vincent does appear on the cover of Lick It Up and was credited as the lead guitarist. He received a writing credit for eight of the ten songs on the album; "Fits Like a Glove" and "Dance All Over Your Face" were written solely by Simmons.
Vincent personality did not mesh well with either Stanley or Simmons, and he was dismissed from Kiss at the end of the Creatures tour. He was re-hired before recording started for Lick It Up because Simmons and Stanley could not find a new lead guitarist on such short notice. Personality issues arose once again, and Vincent was fired following the Lick It Up tour, due in part to excessive guitar soloing at a 1984 concert in Quebec. He was replaced by Mark St. John (birth name Mark Norton). Vincent work on Creatures of The Night was not officially recognized until the album was remastered in 1997.
Vincent was later utilized by Kiss as a songwriter on the 1992 album Revenge, contributing to the songs "Unholy", "Tough Love", "Heart of Chrome" and "I Just Wanna". Before long, Vincent fell out with Simmons and Stanley for a third time, and they again severed their musical ties.
Persistent rumors have circulated for years amongst Kiss fans regarding the true reason for Vincent dismissals from Kiss with at least one band member refusing to comment except to say that legally it was not up for discussion. Simmons stated in an interview several years later that Vincent firing was for "unethical behavior", but he did not elaborate:
I named Vincent Cusano, 'Vinnie Vincent'. That is the only gift he allowed. It is interesting that Vinnie has not changed his name back to Vinnie Cusano. Vinnie, for the record, was fired for unethical behavior, not because of lack of talent. The guy is very talented. He was unethical. He was fired.
Billed as "The Return of Kiss", the Dynasty Tour was expected by Kiss and their management to build on the success of previous tours. Plans were drawn up for a Kiss-themed traveling amusement park called "Kiss World", but were abandoned because of the immense costs involved; however, "The Return of Kiss" saw a marked decline in attendance.
The crowds on this tour were much younger than previous audiences had been, with many pre-adolescent children in Kiss make-up with their mothers and fathers (who were sometimes wearing the make-up themselves) in tow at most concerts. Kiss themselves did little to dissuade this new fan base, donning colorful costumes that reinforced a cartoonish image for these younger fans.
The fans were unaware of the dissension within the band. One very public indication of the heightened friction within the group was an infamous October 31, 1979 interview on Tom Snyder late-night The Tomorrow Show. During the episode, a visibly irritated Simmons and Stanley attempted, unsuccessfully, to contain the inebriated Frehley, whose frequent laughter and joking overshadowed the conversation between Snyder and the rest of the band. Criss made references to his large gun collection, to the chagrin of Simmons.
By the end of the Dynasty tour in December 1979, tensions between Criss and the rest of the band were at an all-time high. His drumming skills had noticeably eroded, and he even intentionally slowed down—or stopped playing altogether—during some concerts. The final show of the tour (December 16, 1979) was the last time Criss performed with the group for almost seventeen years, although he remained an official member for nearly six more months.
Anton Fig also played all the drums on the next album Unmasked, although he was uncredited, and Criss appeared on the cover. Showcasing a slick, contemporary pop sound, Unmasked (released May 20, 1980) had the dubious distinction of being the first Kiss album since Dressed to Kill to not achieve platinum sales. Soon after the album release, Criss departure was officially announced.
Fig was considered a member of KISS for one day following the departure of Peter Criss; he was fired by Stanley and Simmons, who felt he was not a good fit for the band.
The band auditioned dozens of replacements for Criss in June 1980, settling on a little-known drummer-guitarist-pianist-keyboardist-singer from Brooklyn named Paul Charles Caravello (born July 12, 1950) who adopted the stage name Eric Carr.
His first make-up design was modeled on a hawk, though it was rejected as Stanley felt it looked more like a chicken. Carr ultimately settled on a "Fox" persona. In his Fox make-up, he was introduced on ABC Kids Are People Too!, and debuted with the group on July 25, 1980 at the Palladium Theatre in New York City.
This was Kiss only U.S. show in support of Unmasked. The band 1980 tour of Australia and New Zealand, on the other hand, was one of the biggest in their history, as they played to sold-out crowds and received overwhelmingly positive press coverage.
For their next album, the band worked with producer Bob Ezrin, with whom Kiss had found success on Destroyer. Early press reports indicated that the new album would be a return to the hard rock style that had originally brought the band success. However, 1981 Music from "The Elder" was a concept album featuring medieval horns, strings, harps, and synthesizers.
The album was presented as a soundtrack to a film that was never made, making it difficult to follow the storyline. To make matters worse, having received negative feedback following their record company preview of the album, Kiss altered the record track sequence in most countries to emphasize potential singles "The Oath" and "A World Without Heroes", which all but guaranteed the inability of listeners to understand the already muddled storyline. Once released, fan reaction to The Elder was harsh; it failed to achieve gold status and peaked at number 75 on the Billboard Album Chart.
The band made only two appearances in support of the new album, both in January 1982. One was a performance on the ABC late-night variety program Fridays, while the second was a lip-synced performance that was broadcast via satellite during Italy Sanremo Music Festival. Kiss also performed "I", and "A World Without Heroes" on Solid Gold.
Absent from the satellite performance was Frehley, who had become increasingly frustrated with Kiss new musical direction. Upset with the band decision to record Music from "The Elder", he did not actively participate in the album creation, only providing lead vocals to one track, "Dark Light".
He did not appear at a special concert at Studio 52 in New York City, leaving Kiss to perform as a trio. He recorded his guitar parts at his home studio in Wilton, Connecticut and mailed them to Ezrin. Another source of frustration for Frehley was that with the departure of Criss, and with Carr not being an equal partner in the band, he was often outvoted 2-to-1 on group decisions. In June 1982, Frehley departure from the band was negotiated, although he did not officially leave until December, and remained a business partner with Simmons and Stanley until 1985.
Simmons stated in his autobiography Kiss and Make-Up that Eddie Van Halen wanted to fill Frehley spot. Simmons and Eddie brother Alex convinced Eddie to remain with Van Halen. Eddie was anxious to break up Van Halen because of tensions with lead singer David Lee Roth, who left the band soon thereafter. Other notable musicians who auditioned for the band include Doug Aldrich of Whitesnake and Dio, Richie Sambora of Bon Jovi, and Yngwie Malmsteen.
Soon after, Kiss made major changes to their business dealings – chief among them was severing ties with their manager of nine years, Bill Aucoin, and cutting back on their unwieldy organizational tree. Although Frehley had already decided to leave the band, he was pictured on the covers of 1982 Killers and Creatures of The Night, although he did not participate in the recording of either album.
Creatures of The Night (October 13, 1982) was Kiss heaviest album to date, and although it fared better than Music from "The Elder", it peaked at only number 45 on the charts and was not certified gold until 1994. In Frehley absence, Kiss utilized a number of guitarists for the recording of the album, including Vinnie Vincent (born Vincent John Cusano on August 6, 1952).
Frehley last appearance with the band (until the 1996 reunion) was in the music video for the single "I Love It Loud", which was co-written by Vincent. Frehley also appeared on the cover of the original Creatures of The Night album artwork.
When the album was re-mixed and re-released in 1985 with a non-makeup cover and a slightly different song order, to reflect the band roster change and abandonment of their makeup and costumes, Vincent was again absent from the album cover, as then-current lead guitarist, Bruce Kulick, appeared instead. The liner notes accompanying the re-mixed LP, however, credited both Ace Frehley and Vinnie Vincent with lead guitar performances on the Creatures of the Night album.
Vincent officially replaced Frehley as lead guitarist in December 1982, as the band embarked on its 10th Anniversary Tour.
Vincent originally wanted to use his birth name in the band, but this was vetoed by Gene Simmons on the grounds that it sounded "too ethnic". Specifically, according to Simmons, "it sounded like a fruit vendor." Simmons went on to note that "fairly or unfairly, rock and roll is about image".
Vincent then suggested the name "Mick Fury", but this was also disallowed. Simmons later suggested the name change to "Vinnie Vincent". Vincent started actively pushing to join Kiss as a full member. Despite the misgivings that both Simmons and Stanley harbored about his personality, Vincent was taken into the band. Stanley designed a character, "The Wiz" also known as "The Egyptian Warrior", and make-up centered around an Egyptian ankh, for Vincent.
According to the official authorized Kiss biography, written by David Leaf and Ken Sharp, "The Egyptian Ankh Warrior" refers to Vincent make-up and persona, while the nickname "The Wiz" refers to his virtuosity as a guitar player. According to Gene Simmon autobiography Kiss and Make-Up, Vincent Kiss persona was solely "The Wiz". A persona as "The Ankh Warrior" or the like, is not mentioned in the book at all.
From 1982 to 1983, the new lineup of Kiss became Simmons (the Demon), Stanley (the Starchild), Eric Carr (the Fox), and Vincent (The Egyptian Warrior or the Wiz. This incarnation of Kiss was to be the last incarnation of the original make-up era.
Vincent does appear on the cover of Lick It Up and was credited as the lead guitarist. He received a writing credit for eight of the ten songs on the album; "Fits Like a Glove" and "Dance All Over Your Face" were written solely by Simmons.
Vincent personality did not mesh well with either Stanley or Simmons, and he was dismissed from Kiss at the end of the Creatures tour. He was re-hired before recording started for Lick It Up because Simmons and Stanley could not find a new lead guitarist on such short notice. Personality issues arose once again, and Vincent was fired following the Lick It Up tour, due in part to excessive guitar soloing at a 1984 concert in Quebec. He was replaced by Mark St. John (birth name Mark Norton). Vincent work on Creatures of The Night was not officially recognized until the album was remastered in 1997.
Vincent was later utilized by Kiss as a songwriter on the 1992 album Revenge, contributing to the songs "Unholy", "Tough Love", "Heart of Chrome" and "I Just Wanna". Before long, Vincent fell out with Simmons and Stanley for a third time, and they again severed their musical ties.
Persistent rumors have circulated for years amongst Kiss fans regarding the true reason for Vincent dismissals from Kiss with at least one band member refusing to comment except to say that legally it was not up for discussion. Simmons stated in an interview several years later that Vincent firing was for "unethical behavior", but he did not elaborate:
I named Vincent Cusano, 'Vinnie Vincent'. That is the only gift he allowed. It is interesting that Vinnie has not changed his name back to Vinnie Cusano. Vinnie, for the record, was fired for unethical behavior, not because of lack of talent. The guy is very talented. He was unethical. He was fired.
1983–1996: Unmasking
Sensing it was time for a change, Kiss made the decision to abandon their trademark makeup and costumes. The band officially appeared in public without makeup for the first time on a September 18, 1983 appearance on MTV, which coincided with the release of the band new album, Lick It Up.
The tour showing off the new album and the unmasked band members began in Lisbon, Portugal, on October 11, 1983, at Pavilhão Dramático de Cascais, their first concert without makeup since early 1973. Lick It Up became Kiss first gold record in three years, but the tour was even more sparsely attended than the previous one. Vincent did not get along with Simmons and Stanley, and he left the band at the conclusion of the tour in March 1984. Vincent replacement was Mark St. John, a session player and guitar tutor.
With St. John, Kiss released the album Animalize on September 13, 1984. Animalize followed the success of Lick It Up, and with the video for "Heaven Is on Fire" being played often on MTV, Animalize was the band best-selling record in America during the decade, with over 2 million albums sold.
With the success of the album and subsequent tour, Kiss had recaptured some of their earlier glory (though not to the level of their 70s heyday). St. John, however, came down with reactive arthritis during tour rehearsals, and only performed at a handful of shows.
St. John was relieved of his duties from Kiss in December 1984 and was replaced by Bruce Kulick (born December 12, 1953 in Brooklyn). Kulick was Kiss fourth lead guitarist in less than three years, but he stayed with the band for 12 years. Kulick was one of the band longest-serving members, with the longest continuous tenure of anyone other than Simmons and Stanley, but he never wore the band iconic makeup.
One of the first concerts Kulick played was in Detroit, Michigan Cobo Hall. It was filmed for the MTV special Animalize Live. This was later released as the band first home video (Animalize Live Uncensored).
The lineup of Stanley, Simmons, Carr, and Kulick turned out to be the most stable since the original, and for the rest of the 1980s Kiss released a series of platinum albums: 1985 Asylum, 1987 Crazy Nights and the 1988 greatest hits compilation Smashes, Thrashes & Hits. Crazy Nights, in particular, was one of Kiss most successful albums overseas. The single "Crazy, Crazy Nights" reached number four on the singles chart in the United Kingdom, their highest-charting single in that country.
Kiss ended the decade with the October 1989 release Hot in the Shade. Although the album failed to achieve platinum status, it spawned the hit ballad "Forever", co-written by Michael Bolton. Peaking at number 8 in the US, it was the group highest-charting single since "Beth" and was the band second Top 10 single.
During this time, Kiss struggled with their identity and fan base. Simmons, arguably the driving force in Kiss during the 1970s, became less involved with the group in the 1980s as he pursued outside interests, most notably a film career. Stanley took a more prominent role as a result.
In February 1991, the band decided to once again enlist Bob Ezrin to produce their next album. Before recording could begin in earnest, however, tragedy struck. In March 1991, it was discovered that Eric Carr had a tumor on his heart. It was successfully removed the following month, but more tumors were soon discovered in his lungs. Carr received chemotherapy and was pronounced cancer-free in July. However, in September he suffered the first of two cerebral hemorrhages. He died on November 24, 1991 at the age of 41.
Despite the loss of a longtime member, Kiss continued, introducing veteran drummer Eric Singer (born Eric Doyle Mensinger on May 12, 1958 in Cleveland, Ohio). Singer had played with Paul Stanley previously, as part of Stanley backing band during a 1989 solo tour. Singer also played with artists such as Black Sabbath, Gary Moore, Lita Ford, Badlands and Alice Cooper.
Kiss released Revenge on May 19, 1992. It featured a leaner, harder-edged sound, as indicated by the first single, "Unholy". In a surprise move, Kiss enlisted the aid of Vinnie Vincent for songwriting duties. The album debuted in the Top 10 and went gold. Kiss embarked on a brief club tour of the U.S. in the spring of 1992, before beginning an American tour in September 1992. The tour was documented on the album Alive III, released on May 14, 1993. Four days later, Kiss were inducted into the RockWalk of Fame in Hollywood.
During this period, Kiss nostalgia started to pick up steam. June 1994 saw the release of Kiss My Ass: Classic Kiss Regrooved, a compilation album featuring popular artists of the era putting their own spin on Kiss songs. The result was an eclectic mix, featuring Lenny Kravitz funky version of "Deuce" (with Stevie Wonder on harmonica), a ska punk version of "Detroit Rock City" by the Mighty Mighty Bosstones, and Garth Brooks straightforward take on "Hard Luck Woman", with Kiss themselves as his backing band.
In 1995, the group released the book Kisstory, a 440-page, 9 pounds (4.1 kg), detailed chronicle of the group history to that point. That same year, the band embarked on a unique and well-received Worldwide Kiss Convention Tour. The conventions were all-day events, featuring displays of vintage Kiss stage outfits, instruments, and memorabilia, performances by Kiss cover bands, and dealers selling Kiss merchandise from every stage of the band career. Kiss appeared live at the conventions, conducted question and answer sessions, signed autographs and performed a two-hour acoustic set composed mostly of spontaneous fan requests. On the first U.S. date (June 17, 1995), Peter Criss appeared onstage with Kiss to sing "Hard Luck Woman" and "Nothing to Lose". It was the first time Criss had performed publicly with the band in nearly 16 years.
On August 9, 1995, Kiss joined the long line of musicians to perform on MTV Unplugged. The band contacted Criss and Frehley and invited them to participate in the event. Both joined Kiss on stage for several songs at the end of the set: "Beth", "2000 Man", "Nothing to Lose", and "Rock and Roll All Night". The Unplugged appearance set off months of speculation that a possible reunion of the original Kiss lineup was in the works. In the weeks following the Unplugged concert, however, the band (with Kulick and Singer), returned to the studio for the first time in three years to record a follow-up to Revenge. Carnival of Souls: The Final Sessions was completed in February 1996, but its release was delayed for almost two years. Bootleg copies of the album circulated widely among fans.
While Kiss continued to exist publicly as Simmons, Stanley, Kulick, and Singer, arrangements for a reunion of the original lineup were in the works. These efforts culminated with a public event as dramatic as any the band had staged since their 1983 unmasking on MTV.
The tour showing off the new album and the unmasked band members began in Lisbon, Portugal, on October 11, 1983, at Pavilhão Dramático de Cascais, their first concert without makeup since early 1973. Lick It Up became Kiss first gold record in three years, but the tour was even more sparsely attended than the previous one. Vincent did not get along with Simmons and Stanley, and he left the band at the conclusion of the tour in March 1984. Vincent replacement was Mark St. John, a session player and guitar tutor.
With St. John, Kiss released the album Animalize on September 13, 1984. Animalize followed the success of Lick It Up, and with the video for "Heaven Is on Fire" being played often on MTV, Animalize was the band best-selling record in America during the decade, with over 2 million albums sold.
With the success of the album and subsequent tour, Kiss had recaptured some of their earlier glory (though not to the level of their 70s heyday). St. John, however, came down with reactive arthritis during tour rehearsals, and only performed at a handful of shows.
St. John was relieved of his duties from Kiss in December 1984 and was replaced by Bruce Kulick (born December 12, 1953 in Brooklyn). Kulick was Kiss fourth lead guitarist in less than three years, but he stayed with the band for 12 years. Kulick was one of the band longest-serving members, with the longest continuous tenure of anyone other than Simmons and Stanley, but he never wore the band iconic makeup.
One of the first concerts Kulick played was in Detroit, Michigan Cobo Hall. It was filmed for the MTV special Animalize Live. This was later released as the band first home video (Animalize Live Uncensored).
The lineup of Stanley, Simmons, Carr, and Kulick turned out to be the most stable since the original, and for the rest of the 1980s Kiss released a series of platinum albums: 1985 Asylum, 1987 Crazy Nights and the 1988 greatest hits compilation Smashes, Thrashes & Hits. Crazy Nights, in particular, was one of Kiss most successful albums overseas. The single "Crazy, Crazy Nights" reached number four on the singles chart in the United Kingdom, their highest-charting single in that country.
Kiss ended the decade with the October 1989 release Hot in the Shade. Although the album failed to achieve platinum status, it spawned the hit ballad "Forever", co-written by Michael Bolton. Peaking at number 8 in the US, it was the group highest-charting single since "Beth" and was the band second Top 10 single.
During this time, Kiss struggled with their identity and fan base. Simmons, arguably the driving force in Kiss during the 1970s, became less involved with the group in the 1980s as he pursued outside interests, most notably a film career. Stanley took a more prominent role as a result.
In February 1991, the band decided to once again enlist Bob Ezrin to produce their next album. Before recording could begin in earnest, however, tragedy struck. In March 1991, it was discovered that Eric Carr had a tumor on his heart. It was successfully removed the following month, but more tumors were soon discovered in his lungs. Carr received chemotherapy and was pronounced cancer-free in July. However, in September he suffered the first of two cerebral hemorrhages. He died on November 24, 1991 at the age of 41.
Despite the loss of a longtime member, Kiss continued, introducing veteran drummer Eric Singer (born Eric Doyle Mensinger on May 12, 1958 in Cleveland, Ohio). Singer had played with Paul Stanley previously, as part of Stanley backing band during a 1989 solo tour. Singer also played with artists such as Black Sabbath, Gary Moore, Lita Ford, Badlands and Alice Cooper.
Kiss released Revenge on May 19, 1992. It featured a leaner, harder-edged sound, as indicated by the first single, "Unholy". In a surprise move, Kiss enlisted the aid of Vinnie Vincent for songwriting duties. The album debuted in the Top 10 and went gold. Kiss embarked on a brief club tour of the U.S. in the spring of 1992, before beginning an American tour in September 1992. The tour was documented on the album Alive III, released on May 14, 1993. Four days later, Kiss were inducted into the RockWalk of Fame in Hollywood.
During this period, Kiss nostalgia started to pick up steam. June 1994 saw the release of Kiss My Ass: Classic Kiss Regrooved, a compilation album featuring popular artists of the era putting their own spin on Kiss songs. The result was an eclectic mix, featuring Lenny Kravitz funky version of "Deuce" (with Stevie Wonder on harmonica), a ska punk version of "Detroit Rock City" by the Mighty Mighty Bosstones, and Garth Brooks straightforward take on "Hard Luck Woman", with Kiss themselves as his backing band.
In 1995, the group released the book Kisstory, a 440-page, 9 pounds (4.1 kg), detailed chronicle of the group history to that point. That same year, the band embarked on a unique and well-received Worldwide Kiss Convention Tour. The conventions were all-day events, featuring displays of vintage Kiss stage outfits, instruments, and memorabilia, performances by Kiss cover bands, and dealers selling Kiss merchandise from every stage of the band career. Kiss appeared live at the conventions, conducted question and answer sessions, signed autographs and performed a two-hour acoustic set composed mostly of spontaneous fan requests. On the first U.S. date (June 17, 1995), Peter Criss appeared onstage with Kiss to sing "Hard Luck Woman" and "Nothing to Lose". It was the first time Criss had performed publicly with the band in nearly 16 years.
On August 9, 1995, Kiss joined the long line of musicians to perform on MTV Unplugged. The band contacted Criss and Frehley and invited them to participate in the event. Both joined Kiss on stage for several songs at the end of the set: "Beth", "2000 Man", "Nothing to Lose", and "Rock and Roll All Night". The Unplugged appearance set off months of speculation that a possible reunion of the original Kiss lineup was in the works. In the weeks following the Unplugged concert, however, the band (with Kulick and Singer), returned to the studio for the first time in three years to record a follow-up to Revenge. Carnival of Souls: The Final Sessions was completed in February 1996, but its release was delayed for almost two years. Bootleg copies of the album circulated widely among fans.
While Kiss continued to exist publicly as Simmons, Stanley, Kulick, and Singer, arrangements for a reunion of the original lineup were in the works. These efforts culminated with a public event as dramatic as any the band had staged since their 1983 unmasking on MTV.
1996–2001: Reunion
With that statement on February 28, 1996, Tupac Shakur introduced the original Kiss lineup, in full makeup and Love Gun-era stage outfits, to a rousing ovation at the 38th Annual Grammy Awards. On April 16, the band held a press conference aboard the USS Intrepid in New York City, where they announced their plans for a full-fledged reunion tour, with the help of new manager Doc McGhee. The conference, MC by Conan O Brien, was simulcast to 58 countries. On April 20, nearly 40,000 tickets for the tour first show sold out in 47 minutes.
The first public concert featuring the newly reunited Kiss was an hour-long warm-up show on June 15 for the annual KROQ Weenie Roast in Irvine, California, during which the band nearly ignited the stage of the Irvine Meadows Amphitheater. On June 28, the Kiss Alive/Worldwide Tour began at Tiger Stadium in Detroit, Michigan in front of a sold-out crowd of 39,867 fans. The tour lasted for 192 shows over 1 year and earned $43.6 million, making Kiss the top-drawing concert act of 1996. The average attendance of 13,737 is the highest in the group history.
n September 1998, the reunited group issued Psycho Circus. Although it was the first album with the original lineup since 1979 Dynasty, the contributions of Frehley and Criss were minimal. While the images of Frehley and Criss are featured prominently on the album, most of the lead guitar work was later revealed to have been performed by future band member Tommy Thayer.
Former member Bruce Kulick made an appearance on the intro of the song "Within". Most drum duties were handled by session musician Kevin Valentine. Despite the controversy, the album achieved a number 3 chart debut, the highest position for a Kiss album until Sonic Boom debuted at number two in 2009. The title track received a Grammy nomination for Best Hard Rock Performance. The Psycho Circus Tour opened at Dodger Stadium in Los Angeles, California on Halloween in 1998, and was simulcast on FM radio across the U.S. It proved to be another success, and was historic for being the first to ever incorporate 3D visuals into a stage show.
On August 11, 1999, Kiss was inducted into the Hollywood Walk of Fame, in the "Recording Industry" category. August 13 saw the release of the film Detroit Rock City, starring Edward Furlong. The film takes place in 1978, and focuses on four teenagers willing to do anything to score tickets for a sold-out Kiss show in Detroit.
The next month, the group worked in collaboration with World Championship Wrestling to produce a Kiss-themed wrestler known as The Demon, whose face was painted to resemble Simmons makeup. The group performed God of Thunder live on WCW Monday Nitro to debut the character.
The band got $500,000 for the one-night, one-song performance. According to wrestler Dean Malenko, their appearance was the lowest rated Nitro ever. The character was short-lived, and all ties to Kiss were cut by WCW when its head, Eric Bischoff was relieved of his duties in September of that year.
Kiss announced in early 2000 that they would be launching a U.S. Farewell Tour in the summer. The tour kicked off on March 12, 2000. The group quickly added dates to the tour, which ran through April 2001. 2000 also saw the release of a computer game, Kiss: Psycho Circus: The Nightmare Child, based on the comic book series Kiss: Psycho Circus from Todd McFarlane Productions.
The first public concert featuring the newly reunited Kiss was an hour-long warm-up show on June 15 for the annual KROQ Weenie Roast in Irvine, California, during which the band nearly ignited the stage of the Irvine Meadows Amphitheater. On June 28, the Kiss Alive/Worldwide Tour began at Tiger Stadium in Detroit, Michigan in front of a sold-out crowd of 39,867 fans. The tour lasted for 192 shows over 1 year and earned $43.6 million, making Kiss the top-drawing concert act of 1996. The average attendance of 13,737 is the highest in the group history.
n September 1998, the reunited group issued Psycho Circus. Although it was the first album with the original lineup since 1979 Dynasty, the contributions of Frehley and Criss were minimal. While the images of Frehley and Criss are featured prominently on the album, most of the lead guitar work was later revealed to have been performed by future band member Tommy Thayer.
Former member Bruce Kulick made an appearance on the intro of the song "Within". Most drum duties were handled by session musician Kevin Valentine. Despite the controversy, the album achieved a number 3 chart debut, the highest position for a Kiss album until Sonic Boom debuted at number two in 2009. The title track received a Grammy nomination for Best Hard Rock Performance. The Psycho Circus Tour opened at Dodger Stadium in Los Angeles, California on Halloween in 1998, and was simulcast on FM radio across the U.S. It proved to be another success, and was historic for being the first to ever incorporate 3D visuals into a stage show.
On August 11, 1999, Kiss was inducted into the Hollywood Walk of Fame, in the "Recording Industry" category. August 13 saw the release of the film Detroit Rock City, starring Edward Furlong. The film takes place in 1978, and focuses on four teenagers willing to do anything to score tickets for a sold-out Kiss show in Detroit.
The next month, the group worked in collaboration with World Championship Wrestling to produce a Kiss-themed wrestler known as The Demon, whose face was painted to resemble Simmons makeup. The group performed God of Thunder live on WCW Monday Nitro to debut the character.
The band got $500,000 for the one-night, one-song performance. According to wrestler Dean Malenko, their appearance was the lowest rated Nitro ever. The character was short-lived, and all ties to Kiss were cut by WCW when its head, Eric Bischoff was relieved of his duties in September of that year.
Kiss announced in early 2000 that they would be launching a U.S. Farewell Tour in the summer. The tour kicked off on March 12, 2000. The group quickly added dates to the tour, which ran through April 2001. 2000 also saw the release of a computer game, Kiss: Psycho Circus: The Nightmare Child, based on the comic book series Kiss: Psycho Circus from Todd McFarlane Productions.
2001-2008: Post-Reunion
On the eve of the Japanese and Australian leg of the Farewell Tour on January 31, 2001, Criss suddenly left the band once again, because he and the band could not come to agreement with his contract salary. Taking his place was previous Kiss drummer Eric Singer who, in a move that was controversial among longtime fans, assumed Criss Cat persona as the Farewell Tour continued.
With the band supposedly set to retire by early 2001, a career-encompassing collection entitled simply The Box Set, consisting of 94 tracks on five CDs, was released in November of that year, while the summer saw perhaps the most outrageous item of Kiss merchandise yet – the Kiss Kasket. In introducing the Kiss Kasket, Simmons quipped, "I love living, but this makes the alternative look pretty damn good."
On December 4, 2001, Kiss was one of the honorees at the National Academy of Recording Arts and Sciences ("The Recording Academy") Heroes Award ceremony, at the NARAS New York Chapter. NARAS has 12 chapters throughout the United States, hence 12 ceremonies throughout the year, with the honorees each being honored by the chapter closest to their residence.
By receiving this honor, which NARAS has renamed the "Recording Academy Honors", Kiss effectively received NARAS second-highest career honor, right behind the Lifetime Achievement Grammy Award.
Kiss was relatively quiet through the rest of the year, but 2002 started with some controversy as Simmons took part in a controversial interview on National Public Radio with host Terry Gross. In February 2002, Kiss (with Singer on drums and Frehley on lead guitar) performed during the closing ceremony of the 2002 Winter Olympics in Salt Lake City, Utah.
This was Frehley final performance as a member of Kiss.
On March 6, 2002, Kiss performed a private concert at a resort in Trelawny, Jamaica. Frehley, who was no longer under contract, did not perform with the group. He was replaced by Tommy Thayer, who donned Frehley Spaceman makeup and costume for his first live appearance with Kiss. That month, the band (with Thayer) taped an appearance on the American sitcom That 70s Show.
The episode, "That 70s Kiss Show", aired in August 2002. Thayer again performed with the group in April 2002, when Kiss performed "Detroit Rock City" (with pre-recorded music and live vocals) for an appearance on Dick Clark American Bandstand 50th Anniversary show, which aired on May 3.
In February 2003, Kiss traveled to Australia and recorded Kiss Symphony: Alive IV with the Melbourne Symphony Orchestra at Etihad Stadium (then known as Telstra Dome) in Melbourne. Thayer once again replaced Frehley, while Peter Criss returned to the group. This album was the first released on Sanctuary Records, which has since been sold to Universal Music Group – owners of the rest of Kiss catalog.
Despite claims made prior to the Farewell Tour that it would be the group last, Kiss announced a co-headlining tour with Aerosmith in 2003. Frehley announced that his departure from the band was permanent, stating that he believed the Farewell Tour would be Kiss' last, and that he did not want to open for Aerosmith. He was permanently replaced by Thayer, as Kiss moved into a post-reunion phase that saw the band easing into a new line-up, permanently featuring Thayer as "Spaceman" and Singer as "the Catman".
On this tour, still featuring Peter Criss, the group introduced the "Platinum" tickets package, with the most expensive packages costing $1,000. This package included a seat in the first five rows, a meet-and-greet with Kiss after their performance, and a photograph with the band. The tour earned more than $64 million in 2003, which ranked number seven for the year.
Simmons and Stanley did not renew Criss contract when it expired in March 2004. Criss, on his website, stated that "No one, again, no one has called me, or my attorney about an extension for future touring. As a founding member I find this to be disrespectful to me, and to the fans that have made us one of the biggest bands in the world." Criss stated in a radio interview in 2004 with Eddie Trunk that Simmons and Stanley were going to start a new Kiss, and felt that he was getting too old to play the drums for two hours (Criss is 4 years older than Simmons).
During the summer of 2004, Kiss headlined the Rock the Nation 2004 World Tour, with Poison as the opening act. The tour ended in August with a sold-out show in Mexico City. Selected dates on the tour were filmed for the Rock the Nation Live! concert DVD, released on December 13, 2005. Stanley, who had been experiencing increasing difficulty with his hip, had his mobility limited during the tour. He has already had two hip surgeries performed, with more likely in the future.
After the conclusion of the Rock the Nation Tour, Kiss performed only sporadically for a number of years. The group played two shows in 2005, and another six in 2006. Four of the 2006 shows were July concerts in Japan, including two dates (July 22 and 23) as a headlining act at the 2006 Udo Music Festival.
Kiss performed four July 2007 concerts, three of which were dubbed the Hit N Run Tour. Prior to the final show on July 27, Stanley was hospitalized with an extremely rapid heartbeat. In his absence, Kiss performed in concert as a trio for the first time since 1982. This was the first Kiss concert Stanley had missed during his then 34-year tenure with the group.
Kiss (along with Queen, Def Leppard, and Judas Priest) were honored at the inaugural "VH1 Rock Honors" event, held May 25, 2006 in Las Vegas. On April 9, 2006, The Associated Press announced the event by saying "the Rock and Roll Hall of Fame looks to be getting some competition." A tribute band, consisting of Rob Zombie (vocals), Slash (guitar), Scott Ian (bass), and Supernova bandmates Tommy Lee (drums) and Gilby Clarke (guitar), performed "God of Thunder" with Ace Frehley.
In June 2006, Gene Simmons and Paul Stanley attended the opening of the Kiss Coffeehouse in Myrtle Beach, South Carolina. On October 15, 2006, Simmons, Stanley, and Criss were inaugural inductees into the Long Island Music Hall of Fame, along with performers such as Neil Diamond, Billy Joel, Louis Armstrong, the Ramones and Tony Bennett.
Stanley released his second solo album, Live to Win, on October 24, 2006, and undertook a brief solo tour in support.
On October 31 the same year, the group released Kissology Volume One: 1974–1977, the first of 10 possible DVD sets featuring complete concert footage, interviews, and never-before-seen clips. As of January 2007, the set is certified 5X platinum in the United States.
A second volume was released on August 14, 2007. It was certified 6X Platinum by the R.I.A.A. on October 24. What seemed to be the final entry, Kissology Volume Three: 1992–2000, was released on December 18, 2007 and has been certified 8X Platinum by the R.I.A.A. Stanley insisted that there are more volumes forthcoming in an interview with Norwegian broadcasting in the summer of 2008, but no details have been given.
In April 2007, tragedy struck Kiss again. Their former guitarist, Mark St. John, died from an apparent cerebral hemorrhage at age 51. After being forced to leave from Kiss in 1984, St. John formed the short-lived glam metal group White Tiger.
In 1990 he briefly collaborated with Peter Criss in a band called the Keep, which only performed once and released no recordings. St. John largely dropped out of public view in later years, but did make occasional appearances at Kiss fan conventions.
Though Kiss has been eligible for enshrinement in the Rock and Roll Hall of Fame (whose rules state that an act is eligible 25 years after its first release) since 1999/2000, they were not nominated until 2009 and were not inducted until 2014. While this snub displeased some fans, Stanley and Simmons maintained that it was meaningless to them.
Nevertheless, a group of about 200 Kiss fans held a protest rally in front of the Hall of Fame in Cleveland, Ohio on August 5, 2006. It was the first known organized demonstration seeking the induction of a band into the Hall. On December 15, 2009, it was announced that Kiss would not be among the Hall 2010 inductees.
In 2007, a new comic book series featuring the band was released by the Kiss Comics Group in association with Platinum Studios. Entitled Kiss 4K: Legends Never Die, the first issue came out in a regular size and a giant 1.5' x 2.5' size, dubbed the Destroyer edition. Kiss were scheduled to play in Whistler in mid September, but the concert plans were cancelled late August because of passport problems.
Then, 2008 saw the band picking up the pace, doing their first proper tour of Europe in nearly a decade. On January 30, 2008, guitarist and vocalist Paul Stanley confirmed that Kiss would launch the Kiss Alive/35 World Tour, playing arena and stadium shows in Europe, Australia and New Zealand.
On March 16, 2008, Kiss closed the Formula 1 ING Australian Grand Prix at Melbourne Grand Prix Circuit as well as performing in Brisbane and Sydney as part of this tour. Kiss played at the Rock2Wgtn two-day festival held in Wellington, New Zealand on March 22 and 23, 2008; a festival which also featured Ozzy Osbourne, Whitesnake, Poison, Alice Cooper, Lordi, Sonic Altar and Symphony of Screams with special effects provided by WETA Workshop of The Lord of the Rings and King Kong fame.
Throughout the summer of 2008, Kiss headlined festivals as well as their own shows and played to a record audience of about 400 000 people. As part of this tour Kiss headlined the Download Festival in Donington, England, on June 13. Three days later they headlined the Arrow Rock Festival in Nijmegen, Netherlands.
On June 28, Kiss headlined the Graspop Metal Meeting in Dessel, Belgium. It was the last show in the European leg of the 'Alive 35' tour. Monday, Aug. 4, Kiss played at Rocking The Rally at the Sturgis Motorcycle Rally as part of the tour. South Dakota Governor Mike Rounds proclaimed August 4, 2008, to be "Kiss Rock and Roll Day" in South Dakota.
In September 2008, both Gene Simmons and Paul Stanley confirmed rumors that the Kiss Alive/35 Tour would continue with a big tour of North America in the beginning of 2009, a big tour in South America, when Kiss played in April 5 in Argentina, April 7 and 8 in Brazil, April 14 in Peru (first Kiss show ever in Peru) and other concerts in Venezuela (first Kiss show ever in Venezuela) and Chile, in the mid-end of the 2009 year Kiss came back to North America to continue the Alive/35 tour, starting on July 18 in Halifax, NS.
With the band supposedly set to retire by early 2001, a career-encompassing collection entitled simply The Box Set, consisting of 94 tracks on five CDs, was released in November of that year, while the summer saw perhaps the most outrageous item of Kiss merchandise yet – the Kiss Kasket. In introducing the Kiss Kasket, Simmons quipped, "I love living, but this makes the alternative look pretty damn good."
On December 4, 2001, Kiss was one of the honorees at the National Academy of Recording Arts and Sciences ("The Recording Academy") Heroes Award ceremony, at the NARAS New York Chapter. NARAS has 12 chapters throughout the United States, hence 12 ceremonies throughout the year, with the honorees each being honored by the chapter closest to their residence.
By receiving this honor, which NARAS has renamed the "Recording Academy Honors", Kiss effectively received NARAS second-highest career honor, right behind the Lifetime Achievement Grammy Award.
Kiss was relatively quiet through the rest of the year, but 2002 started with some controversy as Simmons took part in a controversial interview on National Public Radio with host Terry Gross. In February 2002, Kiss (with Singer on drums and Frehley on lead guitar) performed during the closing ceremony of the 2002 Winter Olympics in Salt Lake City, Utah.
This was Frehley final performance as a member of Kiss.
On March 6, 2002, Kiss performed a private concert at a resort in Trelawny, Jamaica. Frehley, who was no longer under contract, did not perform with the group. He was replaced by Tommy Thayer, who donned Frehley Spaceman makeup and costume for his first live appearance with Kiss. That month, the band (with Thayer) taped an appearance on the American sitcom That 70s Show.
The episode, "That 70s Kiss Show", aired in August 2002. Thayer again performed with the group in April 2002, when Kiss performed "Detroit Rock City" (with pre-recorded music and live vocals) for an appearance on Dick Clark American Bandstand 50th Anniversary show, which aired on May 3.
In February 2003, Kiss traveled to Australia and recorded Kiss Symphony: Alive IV with the Melbourne Symphony Orchestra at Etihad Stadium (then known as Telstra Dome) in Melbourne. Thayer once again replaced Frehley, while Peter Criss returned to the group. This album was the first released on Sanctuary Records, which has since been sold to Universal Music Group – owners of the rest of Kiss catalog.
Despite claims made prior to the Farewell Tour that it would be the group last, Kiss announced a co-headlining tour with Aerosmith in 2003. Frehley announced that his departure from the band was permanent, stating that he believed the Farewell Tour would be Kiss' last, and that he did not want to open for Aerosmith. He was permanently replaced by Thayer, as Kiss moved into a post-reunion phase that saw the band easing into a new line-up, permanently featuring Thayer as "Spaceman" and Singer as "the Catman".
On this tour, still featuring Peter Criss, the group introduced the "Platinum" tickets package, with the most expensive packages costing $1,000. This package included a seat in the first five rows, a meet-and-greet with Kiss after their performance, and a photograph with the band. The tour earned more than $64 million in 2003, which ranked number seven for the year.
Simmons and Stanley did not renew Criss contract when it expired in March 2004. Criss, on his website, stated that "No one, again, no one has called me, or my attorney about an extension for future touring. As a founding member I find this to be disrespectful to me, and to the fans that have made us one of the biggest bands in the world." Criss stated in a radio interview in 2004 with Eddie Trunk that Simmons and Stanley were going to start a new Kiss, and felt that he was getting too old to play the drums for two hours (Criss is 4 years older than Simmons).
During the summer of 2004, Kiss headlined the Rock the Nation 2004 World Tour, with Poison as the opening act. The tour ended in August with a sold-out show in Mexico City. Selected dates on the tour were filmed for the Rock the Nation Live! concert DVD, released on December 13, 2005. Stanley, who had been experiencing increasing difficulty with his hip, had his mobility limited during the tour. He has already had two hip surgeries performed, with more likely in the future.
After the conclusion of the Rock the Nation Tour, Kiss performed only sporadically for a number of years. The group played two shows in 2005, and another six in 2006. Four of the 2006 shows were July concerts in Japan, including two dates (July 22 and 23) as a headlining act at the 2006 Udo Music Festival.
Kiss performed four July 2007 concerts, three of which were dubbed the Hit N Run Tour. Prior to the final show on July 27, Stanley was hospitalized with an extremely rapid heartbeat. In his absence, Kiss performed in concert as a trio for the first time since 1982. This was the first Kiss concert Stanley had missed during his then 34-year tenure with the group.
Kiss (along with Queen, Def Leppard, and Judas Priest) were honored at the inaugural "VH1 Rock Honors" event, held May 25, 2006 in Las Vegas. On April 9, 2006, The Associated Press announced the event by saying "the Rock and Roll Hall of Fame looks to be getting some competition." A tribute band, consisting of Rob Zombie (vocals), Slash (guitar), Scott Ian (bass), and Supernova bandmates Tommy Lee (drums) and Gilby Clarke (guitar), performed "God of Thunder" with Ace Frehley.
In June 2006, Gene Simmons and Paul Stanley attended the opening of the Kiss Coffeehouse in Myrtle Beach, South Carolina. On October 15, 2006, Simmons, Stanley, and Criss were inaugural inductees into the Long Island Music Hall of Fame, along with performers such as Neil Diamond, Billy Joel, Louis Armstrong, the Ramones and Tony Bennett.
Stanley released his second solo album, Live to Win, on October 24, 2006, and undertook a brief solo tour in support.
On October 31 the same year, the group released Kissology Volume One: 1974–1977, the first of 10 possible DVD sets featuring complete concert footage, interviews, and never-before-seen clips. As of January 2007, the set is certified 5X platinum in the United States.
A second volume was released on August 14, 2007. It was certified 6X Platinum by the R.I.A.A. on October 24. What seemed to be the final entry, Kissology Volume Three: 1992–2000, was released on December 18, 2007 and has been certified 8X Platinum by the R.I.A.A. Stanley insisted that there are more volumes forthcoming in an interview with Norwegian broadcasting in the summer of 2008, but no details have been given.
In April 2007, tragedy struck Kiss again. Their former guitarist, Mark St. John, died from an apparent cerebral hemorrhage at age 51. After being forced to leave from Kiss in 1984, St. John formed the short-lived glam metal group White Tiger.
In 1990 he briefly collaborated with Peter Criss in a band called the Keep, which only performed once and released no recordings. St. John largely dropped out of public view in later years, but did make occasional appearances at Kiss fan conventions.
Though Kiss has been eligible for enshrinement in the Rock and Roll Hall of Fame (whose rules state that an act is eligible 25 years after its first release) since 1999/2000, they were not nominated until 2009 and were not inducted until 2014. While this snub displeased some fans, Stanley and Simmons maintained that it was meaningless to them.
Nevertheless, a group of about 200 Kiss fans held a protest rally in front of the Hall of Fame in Cleveland, Ohio on August 5, 2006. It was the first known organized demonstration seeking the induction of a band into the Hall. On December 15, 2009, it was announced that Kiss would not be among the Hall 2010 inductees.
In 2007, a new comic book series featuring the band was released by the Kiss Comics Group in association with Platinum Studios. Entitled Kiss 4K: Legends Never Die, the first issue came out in a regular size and a giant 1.5' x 2.5' size, dubbed the Destroyer edition. Kiss were scheduled to play in Whistler in mid September, but the concert plans were cancelled late August because of passport problems.
Then, 2008 saw the band picking up the pace, doing their first proper tour of Europe in nearly a decade. On January 30, 2008, guitarist and vocalist Paul Stanley confirmed that Kiss would launch the Kiss Alive/35 World Tour, playing arena and stadium shows in Europe, Australia and New Zealand.
On March 16, 2008, Kiss closed the Formula 1 ING Australian Grand Prix at Melbourne Grand Prix Circuit as well as performing in Brisbane and Sydney as part of this tour. Kiss played at the Rock2Wgtn two-day festival held in Wellington, New Zealand on March 22 and 23, 2008; a festival which also featured Ozzy Osbourne, Whitesnake, Poison, Alice Cooper, Lordi, Sonic Altar and Symphony of Screams with special effects provided by WETA Workshop of The Lord of the Rings and King Kong fame.
Throughout the summer of 2008, Kiss headlined festivals as well as their own shows and played to a record audience of about 400 000 people. As part of this tour Kiss headlined the Download Festival in Donington, England, on June 13. Three days later they headlined the Arrow Rock Festival in Nijmegen, Netherlands.
On June 28, Kiss headlined the Graspop Metal Meeting in Dessel, Belgium. It was the last show in the European leg of the 'Alive 35' tour. Monday, Aug. 4, Kiss played at Rocking The Rally at the Sturgis Motorcycle Rally as part of the tour. South Dakota Governor Mike Rounds proclaimed August 4, 2008, to be "Kiss Rock and Roll Day" in South Dakota.
In September 2008, both Gene Simmons and Paul Stanley confirmed rumors that the Kiss Alive/35 Tour would continue with a big tour of North America in the beginning of 2009, a big tour in South America, when Kiss played in April 5 in Argentina, April 7 and 8 in Brazil, April 14 in Peru (first Kiss show ever in Peru) and other concerts in Venezuela (first Kiss show ever in Venezuela) and Chile, in the mid-end of the 2009 year Kiss came back to North America to continue the Alive/35 tour, starting on July 18 in Halifax, NS.
2008–2012: Sonic Boom and Monster
More than ten years after their last studio album, and following years of denials about ever wanting to do a new album, Stanley and Simmons changed their minds. In November 2008, Paul Stanley stated to rock photographer Ross Halfin that a new Kiss album was in the works. Stanley himself would be the producer, and the album would have a "real 70s Kiss sound" to it. Later that month, Simmons and Stanley both publicly confirmed the information about a new Kiss album:
We have 4 tunes recorded. If you are a fan of our stuff from about 1977, you will feel right at home. All of us have taken up the songwriting call to arms in the same spirit we once did – without a care in the world and without outside writers. Nothing to prove to anyone. Just doing what comes naturally. Ignoring fashions, trends and with a personal vow from all of us: no rapping. There are plenty of people out there doing this and they dont need four palefaced guys pretending they are from the hood. Besides, I am not sure how to correctly pronounce 'wassup.' See you all there...Or maybe later!
The band appeared on American Idol in May 2009 performing with Adam Lambert, singing "Detroit Rock City" and "Rock and Roll All Night".
In July 2009, Paul Stanley announced a release date of October 6, 2009 for the new album Sonic Boom. It included a CD of new material, re-recorded versions of famous Kiss hits (previously released as Jigoku-Retsuden, a Japanese exclusive album in 2008) and a live DVD in Buenos Aires, Argentina.
"Modern Day Delilah" was announced and released as the lead single from Sonic Boom on August 19, 2009 to radio. The song was Kiss first single release in 11 years, the song predecessor being "You Wanted the Best" which was released in 1998 off the band Psycho Circus album.
Due to early previews of the album, the song has gained positive feedback from both critics and fans, and has been compared to the band 70s work. In support of the new album, Kiss appeared live on Late Show with David Letterman on October 6, 2009 and on Jimmy Kimmel Live! on October 7, 2009. Sonic Boom debuted at Number 2 on the Billboard 200, selling 108,000 copies in its first week of release.
On September 25, 2009, the Kiss Alive/35 North American Tour kicked off at Cobo Hall in Detroit, Michigan; both nights were filmed for future DVD release. These were the band final performances there, as the venue was scheduled to be closed, however it is still holding events to this day (such as the Carnage Tour with Slayer & Megadeth, in August 2010).
The tour was originally scheduled to conclude on December 6, 2009, at the American Airlines Center in Dallas, TX, however, several additional shows have been added and the last performance is now scheduled for December 15 in Sault Ste. Marie.
Kiss headlined Voodoo Fest 2009 held at City Park in New Orleans, Louisiana on Halloween Night.
During their performance at the MTS Centre on November 9, 2009 in Winnipeg, Manitoba, one of the lighting trusses caught on fire from a pyro cue. The truss had to be lowered in order to have the fire put out. During the five or so minutes it took to extinguish the fire, the band broke into the song "Firehouse". No one was hurt and the show continued on.
Kiss started the European leg of the Sonic Boom Over Europe Tour in May 2010. Tragedy struck Kiss for a third time, when their former manager Bill Aucoin died of cancer on June 28, 2010 at the age of 66. Stanley and Simmons said he was like the fifth member of Kiss.
The tour included their first UK arena shows in 11 years and their first visit to Slovakia. Kiss later played at two dates in US cities Cheyenne, Wyoming and the North Dakota State Fair in Minot, North Dakota in July 2010. They also played at the Indiana state fair in August and the Minnesota State Fair in September. They also made a brief appearance at S.P.A.C. (Saratoga Performing Arts Center) in Saratoga, New York on August 17, 2010. On July 23, Kiss started The Hottest Show on Earth Tour in the United States. The tour saw the band play numerous shows throughout the US, Canada and Mexico.
On April 13, 2011, Kiss began recording a new album due for release later in the year. Gene Simmons stated, the album "is gonna be the next step to Sonic Boom. Very similar – straight rock songs, no ballads, no keyboards, no nothing, just rock."
The band also went to use old analog equipment instead of a more popular digital recording gear. Gene Simmons said about it: "Technology is a seductive bitch, she will seduce you. You press this button, you dont have to do anything. But analog is the love of your life. You can push real hard and it always gives back. For the new album, the actual recording process was 24-track tape and an old Trident board. And as many tubes as possible. You need tubes, electricity and thick wood to make that thick sound."
In March 2011, while visiting Israel, Simmons announced that he had plans to bring Kiss to Israel.
Kiss spent the summer of 2011 playing venues in the US and Canada, visiting cities to which they have not been in a while. They have dubbed this the "Lost Cities Tour".
On August 21, 2011, it was announced on the band website that the next album would be called Monster. Monster was originally slated for release in fall 2011, but was then delayed until January 2012, and again until June–July 2012, with an official release for October 2012.
KISS by Monster Mini Golf was opened in March in 2012 in Las Vegas, Nevada. The facility is an 18-hole indoor miniature golf course, featuring arcade games, gift shop, and numerous pieces of band memorabilia on display. The complete current version of the band attended the grand opening.
Kiss appeared on Jimmy Kimmel Live! on March 20, 2012. A press conference was held on the same day to announce the summer North American tour called The Tour, co-headlined with Mötley Crüe. The Tour started on July 20 and ended on October 1.
The new single, "Hell or Hallelujah", was released on July 2, 2012 internationally and on July 3 in North America along with the Monster Book. Monster was released on October 9, 2012 in North America to much critical and fan acclaim, debuting in the Top 3 in the US and Top 10 in many countries.
Kiss kicked off the Monster World Tour on November 7, 2012 in Buenos Aires, Argentina at the River Plate Stadium and continued the six-date South American leg with dates in Santiago, Asunción, Porto Alegre, São Paulo and Rio de Janeiro until November 18, 2012.
The Australian leg began on February 28, 2013 in Perth at the Perth Arena and ran through until March 16, 2013 in Mackay at the Virgin Australian Stadium. They were joined by Mötley Crüe, Thin Lizzy and Diva Demolition. The band extensively toured Europe and Canada with a few US dates in June through August, and then Japan in October.
We have 4 tunes recorded. If you are a fan of our stuff from about 1977, you will feel right at home. All of us have taken up the songwriting call to arms in the same spirit we once did – without a care in the world and without outside writers. Nothing to prove to anyone. Just doing what comes naturally. Ignoring fashions, trends and with a personal vow from all of us: no rapping. There are plenty of people out there doing this and they dont need four palefaced guys pretending they are from the hood. Besides, I am not sure how to correctly pronounce 'wassup.' See you all there...Or maybe later!
The band appeared on American Idol in May 2009 performing with Adam Lambert, singing "Detroit Rock City" and "Rock and Roll All Night".
In July 2009, Paul Stanley announced a release date of October 6, 2009 for the new album Sonic Boom. It included a CD of new material, re-recorded versions of famous Kiss hits (previously released as Jigoku-Retsuden, a Japanese exclusive album in 2008) and a live DVD in Buenos Aires, Argentina.
"Modern Day Delilah" was announced and released as the lead single from Sonic Boom on August 19, 2009 to radio. The song was Kiss first single release in 11 years, the song predecessor being "You Wanted the Best" which was released in 1998 off the band Psycho Circus album.
Due to early previews of the album, the song has gained positive feedback from both critics and fans, and has been compared to the band 70s work. In support of the new album, Kiss appeared live on Late Show with David Letterman on October 6, 2009 and on Jimmy Kimmel Live! on October 7, 2009. Sonic Boom debuted at Number 2 on the Billboard 200, selling 108,000 copies in its first week of release.
On September 25, 2009, the Kiss Alive/35 North American Tour kicked off at Cobo Hall in Detroit, Michigan; both nights were filmed for future DVD release. These were the band final performances there, as the venue was scheduled to be closed, however it is still holding events to this day (such as the Carnage Tour with Slayer & Megadeth, in August 2010).
The tour was originally scheduled to conclude on December 6, 2009, at the American Airlines Center in Dallas, TX, however, several additional shows have been added and the last performance is now scheduled for December 15 in Sault Ste. Marie.
Kiss headlined Voodoo Fest 2009 held at City Park in New Orleans, Louisiana on Halloween Night.
During their performance at the MTS Centre on November 9, 2009 in Winnipeg, Manitoba, one of the lighting trusses caught on fire from a pyro cue. The truss had to be lowered in order to have the fire put out. During the five or so minutes it took to extinguish the fire, the band broke into the song "Firehouse". No one was hurt and the show continued on.
Kiss started the European leg of the Sonic Boom Over Europe Tour in May 2010. Tragedy struck Kiss for a third time, when their former manager Bill Aucoin died of cancer on June 28, 2010 at the age of 66. Stanley and Simmons said he was like the fifth member of Kiss.
The tour included their first UK arena shows in 11 years and their first visit to Slovakia. Kiss later played at two dates in US cities Cheyenne, Wyoming and the North Dakota State Fair in Minot, North Dakota in July 2010. They also played at the Indiana state fair in August and the Minnesota State Fair in September. They also made a brief appearance at S.P.A.C. (Saratoga Performing Arts Center) in Saratoga, New York on August 17, 2010. On July 23, Kiss started The Hottest Show on Earth Tour in the United States. The tour saw the band play numerous shows throughout the US, Canada and Mexico.
On April 13, 2011, Kiss began recording a new album due for release later in the year. Gene Simmons stated, the album "is gonna be the next step to Sonic Boom. Very similar – straight rock songs, no ballads, no keyboards, no nothing, just rock."
The band also went to use old analog equipment instead of a more popular digital recording gear. Gene Simmons said about it: "Technology is a seductive bitch, she will seduce you. You press this button, you dont have to do anything. But analog is the love of your life. You can push real hard and it always gives back. For the new album, the actual recording process was 24-track tape and an old Trident board. And as many tubes as possible. You need tubes, electricity and thick wood to make that thick sound."
In March 2011, while visiting Israel, Simmons announced that he had plans to bring Kiss to Israel.
Kiss spent the summer of 2011 playing venues in the US and Canada, visiting cities to which they have not been in a while. They have dubbed this the "Lost Cities Tour".
On August 21, 2011, it was announced on the band website that the next album would be called Monster. Monster was originally slated for release in fall 2011, but was then delayed until January 2012, and again until June–July 2012, with an official release for October 2012.
KISS by Monster Mini Golf was opened in March in 2012 in Las Vegas, Nevada. The facility is an 18-hole indoor miniature golf course, featuring arcade games, gift shop, and numerous pieces of band memorabilia on display. The complete current version of the band attended the grand opening.
Kiss appeared on Jimmy Kimmel Live! on March 20, 2012. A press conference was held on the same day to announce the summer North American tour called The Tour, co-headlined with Mötley Crüe. The Tour started on July 20 and ended on October 1.
The new single, "Hell or Hallelujah", was released on July 2, 2012 internationally and on July 3 in North America along with the Monster Book. Monster was released on October 9, 2012 in North America to much critical and fan acclaim, debuting in the Top 3 in the US and Top 10 in many countries.
Kiss kicked off the Monster World Tour on November 7, 2012 in Buenos Aires, Argentina at the River Plate Stadium and continued the six-date South American leg with dates in Santiago, Asunción, Porto Alegre, São Paulo and Rio de Janeiro until November 18, 2012.
The Australian leg began on February 28, 2013 in Perth at the Perth Arena and ran through until March 16, 2013 in Mackay at the Virgin Australian Stadium. They were joined by Mötley Crüe, Thin Lizzy and Diva Demolition. The band extensively toured Europe and Canada with a few US dates in June through August, and then Japan in October.
2013-Present: 40th anniversary, Rock and Roll Hall of Fame and international collaboration
On October 16, 2013, Kiss was again announced as a nominee for the Rock and Roll Hall of Fame and was subsequently announced as an inductee on December 17, 2013.
On August 15, 2013, it was announced that Kiss (who performed the night before ArenaBowl XXVI) had purchased a share of an Arena Football League expansion franchise set to begin play at the Honda Center in Anaheim, California in 2014. The band (in specific, their two lead members Gene Simmons and Paul Stanley), their manager Doc McGhee, and league veteran Brett Bouchy jointly own the team, to be called the Los Angeles Kiss. Both Simmons and Stanley are known fans of the AFL.
The LA Kiss offered National Football League free agent quarterback Tim Tebow a contract to join their team and play in the AFL: "Acquiring Tebow would not only be a great investment for the team, but his exciting style of play would definitely send shockwaves through the league", Simmons said in a statement. "We are excited for the opportunity to see him with an LA KISS uniform on, and for the LA KISS fans to be rocking their Tebow shirts and jerseys."
On March 17, 2014 Kiss announced a co-headlining tour with Def Leppard. After Simmons toured with Joe Elliott in South America, the two talked about their bands working together. From June 23, 2014 to August 31, 2014, the bands are scheduled to tour 42 cities, with a dollar per ticket donated to such military charities as Wounded Warrior Project.
Kiss made the cover of the April 10, 2014 (Issue 1206) Rolling Stone magazine, which is their first time being so featured in the band 41-year history.
On April 10, 2014 Kiss was inducted into the Rock and Roll Hall of Fame. Though the rockers did not perform, the original four members, Gene Simmons, Paul Stanley, Ace Frehley and Peter Criss showed up to accept their place in the Rock and Roll Hall of Fame during the 29th annual induction ceremony in Brooklyn.
On January 28, 2015, Kiss released a collaboration single with the Japanese female idol group Momoiro Clover Z, titled "Yume no Ukiyo ni Saite Mi na". It was the first time for Kiss to release a collaboration CD with another artist. In Japan, it was released physically in two versions: Momoiro Clover Z edition (CD+Blu-ray) and Kiss edition (CD only). An alternate mix of the single title song was also included as an opening track on the Japanese-only SHM-CD album Best of Kiss 40, released in Japan on the same day.
Before the collaboration, the members of Kiss had watched the concert videos of Momoiro Clover Z. Later, Paul Stanley gave his impressions in an interview:
Spectacular show! Great choreography! Music like we never heard before. We said, "this is something we can do!" Somebody said, "Kiss, why are you doing it?" "Because we can!" It is two worlds getting together, doing something unbelievable.
Music power rocks the world.
It was announced on September 15, 2015, by the RIAA that the band had earned more Gold records than any other American band in the association's 63-year history, with a total of 30 Gold Album Record Awards (including the band four 1978 solo albums).
RIAA CEO and Chairman, Cary Sherman, commented:
What an extraordinary achievement for an enduring band. Forty years later and the band is still rocking. Congratulations to KISS on their Gold album milestone and continued success.
In 2016 Kiss announced a summer tour titled the Freedom To Rock Tour. The tour is set to cover cities that no band plays and cities with smaller venues, the tour will run throughout the summer and the opening acts will be Caleb Johnson and The Dead Daisies.
There have also been conflicting stories on whether Kiss will record another album or not. Simmons has said "yes" in interviews, saying that he has songs written and lined up for a new album. Stanley and Thayer dispute this however and say that they dont vow to make one and that the band can move forward without new music.
On August 15, 2013, it was announced that Kiss (who performed the night before ArenaBowl XXVI) had purchased a share of an Arena Football League expansion franchise set to begin play at the Honda Center in Anaheim, California in 2014. The band (in specific, their two lead members Gene Simmons and Paul Stanley), their manager Doc McGhee, and league veteran Brett Bouchy jointly own the team, to be called the Los Angeles Kiss. Both Simmons and Stanley are known fans of the AFL.
The LA Kiss offered National Football League free agent quarterback Tim Tebow a contract to join their team and play in the AFL: "Acquiring Tebow would not only be a great investment for the team, but his exciting style of play would definitely send shockwaves through the league", Simmons said in a statement. "We are excited for the opportunity to see him with an LA KISS uniform on, and for the LA KISS fans to be rocking their Tebow shirts and jerseys."
On March 17, 2014 Kiss announced a co-headlining tour with Def Leppard. After Simmons toured with Joe Elliott in South America, the two talked about their bands working together. From June 23, 2014 to August 31, 2014, the bands are scheduled to tour 42 cities, with a dollar per ticket donated to such military charities as Wounded Warrior Project.
Kiss made the cover of the April 10, 2014 (Issue 1206) Rolling Stone magazine, which is their first time being so featured in the band 41-year history.
On April 10, 2014 Kiss was inducted into the Rock and Roll Hall of Fame. Though the rockers did not perform, the original four members, Gene Simmons, Paul Stanley, Ace Frehley and Peter Criss showed up to accept their place in the Rock and Roll Hall of Fame during the 29th annual induction ceremony in Brooklyn.
On January 28, 2015, Kiss released a collaboration single with the Japanese female idol group Momoiro Clover Z, titled "Yume no Ukiyo ni Saite Mi na". It was the first time for Kiss to release a collaboration CD with another artist. In Japan, it was released physically in two versions: Momoiro Clover Z edition (CD+Blu-ray) and Kiss edition (CD only). An alternate mix of the single title song was also included as an opening track on the Japanese-only SHM-CD album Best of Kiss 40, released in Japan on the same day.
Before the collaboration, the members of Kiss had watched the concert videos of Momoiro Clover Z. Later, Paul Stanley gave his impressions in an interview:
Spectacular show! Great choreography! Music like we never heard before. We said, "this is something we can do!" Somebody said, "Kiss, why are you doing it?" "Because we can!" It is two worlds getting together, doing something unbelievable.
Music power rocks the world.
It was announced on September 15, 2015, by the RIAA that the band had earned more Gold records than any other American band in the association's 63-year history, with a total of 30 Gold Album Record Awards (including the band four 1978 solo albums).
RIAA CEO and Chairman, Cary Sherman, commented:
What an extraordinary achievement for an enduring band. Forty years later and the band is still rocking. Congratulations to KISS on their Gold album milestone and continued success.
In 2016 Kiss announced a summer tour titled the Freedom To Rock Tour. The tour is set to cover cities that no band plays and cities with smaller venues, the tour will run throughout the summer and the opening acts will be Caleb Johnson and The Dead Daisies.
There have also been conflicting stories on whether Kiss will record another album or not. Simmons has said "yes" in interviews, saying that he has songs written and lined up for a new album. Stanley and Thayer dispute this however and say that they dont vow to make one and that the band can move forward without new music.
Musical style
Kiss have typically been classified under the genres of hard rock, shock rock and heavy metal.
Most of their 70s albums, particularly the first six released between 1974 and 1977 as well as 1982 Creatures of the Night, featured a hard rock or traditional heavy metal style. 1979 Dynasty and 1980 Unmasked featured a more disco/pop rock sound, and 1981 Music from "The Elder" found the band dabbling in progressive rock.
In 1983 starting with Lick It Up, with the removal of their trademark makeup, the band began incorporating elements of glam metal into their sound and visual image. Later, in the early 1990s, their sound grew heavier and abandoned the glam metal sound. In the mid-1990, the band returned to their original sound.
Their music is described as "a commercially potent mix of anthemic, fist-pounding hard rock, driven by sleek hooks and ballads powered by loud guitars, cloying melodies, and sweeping strings. It was a sound that laid the groundwork for both arena rock and the pop-metal that dominated rock in the late 80s."
The first review of Kiss by Rolling Stone, in 1973, described the band as "an American Black Sabbath". The same magazine review of Hotter than Hell stated that "with twin guitars hammering out catchy mondo-distorto riffs and bass and drums amiably bringing up the rear, Kiss spews forth a deceptively controlled type of thunderous hysteria."
At the same time, Bennington Banner from Rock Music magazine said, "with its members' bizarre, Kabuki-like makeup, studded black leather costumes and arsenal of on-stage firepower – both musical and literal – Kiss represents the most extreme form of hard rock in 1974."
Most of their 70s albums, particularly the first six released between 1974 and 1977 as well as 1982 Creatures of the Night, featured a hard rock or traditional heavy metal style. 1979 Dynasty and 1980 Unmasked featured a more disco/pop rock sound, and 1981 Music from "The Elder" found the band dabbling in progressive rock.
In 1983 starting with Lick It Up, with the removal of their trademark makeup, the band began incorporating elements of glam metal into their sound and visual image. Later, in the early 1990s, their sound grew heavier and abandoned the glam metal sound. In the mid-1990, the band returned to their original sound.
Their music is described as "a commercially potent mix of anthemic, fist-pounding hard rock, driven by sleek hooks and ballads powered by loud guitars, cloying melodies, and sweeping strings. It was a sound that laid the groundwork for both arena rock and the pop-metal that dominated rock in the late 80s."
The first review of Kiss by Rolling Stone, in 1973, described the band as "an American Black Sabbath". The same magazine review of Hotter than Hell stated that "with twin guitars hammering out catchy mondo-distorto riffs and bass and drums amiably bringing up the rear, Kiss spews forth a deceptively controlled type of thunderous hysteria."
At the same time, Bennington Banner from Rock Music magazine said, "with its members' bizarre, Kabuki-like makeup, studded black leather costumes and arsenal of on-stage firepower – both musical and literal – Kiss represents the most extreme form of hard rock in 1974."
Influence
Kiss was strongly influenced by Alice Cooper and the New York Dolls.
The world of concert touring was changed by Kiss practice of erecting uniquely designed stage sets. Tours got larger, carrying more personnel and equipment, including sets, costumes, sound and lighting gear, pyrotechnics, all requiring more trucking, and the total cost increasing by millions of dollars.
On the other hand, Kiss innovated with a significant expansion of concert merchandising, selling non-musical, Kiss-branded goods to concert-goers. The sales of merchandise helped pay for the concert expenses and bring a profit to the band as well as give them more of a presence without relying solely on radio. Other bands copied Kiss by selling their own branded goods at concerts, a practice which became more of a necessity in the 1980s with increasing costs of touring.
The world of concert touring was changed by Kiss practice of erecting uniquely designed stage sets. Tours got larger, carrying more personnel and equipment, including sets, costumes, sound and lighting gear, pyrotechnics, all requiring more trucking, and the total cost increasing by millions of dollars.
On the other hand, Kiss innovated with a significant expansion of concert merchandising, selling non-musical, Kiss-branded goods to concert-goers. The sales of merchandise helped pay for the concert expenses and bring a profit to the band as well as give them more of a presence without relying solely on radio. Other bands copied Kiss by selling their own branded goods at concerts, a practice which became more of a necessity in the 1980s with increasing costs of touring.
Make-up Designs
"We had to go through torture to perfect the process of putting it on", Stanley admitted in 1996. "I can remember plenty of times when I blinded myself with black eye make-up...In the beginning, the white was a zinc oxide cream which you can buy in any pharmacy.
We did not know what we were doing; we just wanted white faces...and the zinc oxide beating spraying ourselves with white paint. We eventually worked our way up to what is called 'clown white.' The two best brands are made by Stein and Max Factor...
At first, the black was Maybelline waterproof eyeliner, but it would crack because it is only meant to draw a line around your eye, not a whole star. Now we use black grease sticks, which are a more solid form of greasepaint. The silver that Peter and Ace use is made by Stein, and it comes in bottles in either metallic gold or metallic silver...The only time we have problems is in situations of extreme heat. I remember doing a show when it was so hot and humid that the make-up literally ran off our faces. Between songs we do run to the side of the stage to slap on more clown white!"
Mark St. John and Bruce Kulick were members of Kiss only during the period where the band members did not perform wearing make-up. The four original makeup designs have been registered with the U.S. Patent and Trademark Office, with ownership and licensing rights held by Gene Simmons and Paul Stanley.
We did not know what we were doing; we just wanted white faces...and the zinc oxide beating spraying ourselves with white paint. We eventually worked our way up to what is called 'clown white.' The two best brands are made by Stein and Max Factor...
At first, the black was Maybelline waterproof eyeliner, but it would crack because it is only meant to draw a line around your eye, not a whole star. Now we use black grease sticks, which are a more solid form of greasepaint. The silver that Peter and Ace use is made by Stein, and it comes in bottles in either metallic gold or metallic silver...The only time we have problems is in situations of extreme heat. I remember doing a show when it was so hot and humid that the make-up literally ran off our faces. Between songs we do run to the side of the stage to slap on more clown white!"
Mark St. John and Bruce Kulick were members of Kiss only during the period where the band members did not perform wearing make-up. The four original makeup designs have been registered with the U.S. Patent and Trademark Office, with ownership and licensing rights held by Gene Simmons and Paul Stanley.
Informação Complementar:
Se você tem um conhecimento médio acerca de bitrates de arquivos de áudio, pode ser que estas taxas baixíssimas tenham deixado você com um frio na espinha ou então com a impressão de que estes arquivos não tem a mínima qualidade.
Bom, eu vou te dizer o porque destas taxas, mas antes eu preciso dizer algumas coisas que talvez você não saiba, se não tiver lido o texto da página inicial ainda ou então se tiver vindo parar aqui por meio de um link direto que eu coloquei em algum lugar da internet.
Eu trabalho com tratamento de áudio desde 2010 e paralelamente a isso eu estudo linguagens de programação de computador desde esta mesma época.
Eu não baixo os arquivos que eu posto aqui de outros blogs, ou seja, eu não pego arquivos mastigados de outro lugar, os converto e coloco na minha conta.
O que eu faço é baixar os arquivos em estado bruto, em suas versões originais, e então eu processo este material e deixo a extensão exatamente como ela veio, a diferença é que eu tenho todos os recursos, meios necessários e também conhecimento para deixar estes arquivos com bitrates abaixo de 100 kbps e ainda preservar a qualidade que eles tinham antes de eu manipulá-los.
Por exemplo, você já deve ter lido que um arquivo mp3 pode ser reduzido em até 90% do seu tamanho original.
Eu era um fã incondicional de mp3 por causa disso, e desde 2010 eu colecionava discografias inteiras em mp3 de 128 kbps. Se o arquivo que eu baixava vinha em um bitrate maior, eu o deixava com 128 kbps.
Eu criei este blog em 2013 e o deixei ocioso até o ano de 2016, quando comecei as primeiras postagens, todas em mp3 de 128 kbps.
Este ano, eu fiz uma experiência sem nenhum compromisso e o resultado me surpreendeu, e desde então eu vi que além de eu não precisar continuar só ouvindo arquivos em mp3 eu também podia ouvir as minhas coleções em outros formatos e taxas de bitrates mais baixas e o que é melhor, sem perder em nada no quesito qualidade.
E isso ainda não é tudo. Por exemplo, você já deve ter ouvido algum arquivo em formato wav na sua vida e sabe que estes arquivos costumam ser pesados, porque um arquivo wav tem uma taxa entre 1411 e 1536 kbps.
Com este bitrate, uma música de apenas 5 minutos tem o tamanho de 54,93 mb, praticamente maior do que um álbum inteiro em mp3 de 128 kbps.
Aqui há muitos arquivos no formato wav que eu baixei com esta taxa, e que na maior parte das vezes são álbuns que tem 700 mb ou mais, se forem albuns duplos ou bootlegs então, 1,5 Gb de tamanho no mínimo, se não mais.
Pois bem. Eu consigo uma taxa de compressão, no caso dos arquivos wav de mais de 96,5%, ou seja, maior ainda do que a compressão que o mp3 suporta, e como eu não converto este arquivo, ele não perde absolutamente nada de sua qualidade.
Este é o detalhe que muitas pessoas desconhecem; se você pega um arquivo de uma extensão com um bitrate alto e o converte para outra extensão com um bitrate menor, você destrói o arquivo por completo, porque uma vez que você muda a extensão do mesmo você também altera todas as freqüências dele, e tudo se perde.
No meu blog, o que eu publico em wav estava originalmente em wav; em ogg estava em ogg, e quando é alguma coisa mais rara que eu só encontrei em mp3 eu publico aquilo que eu já tinha. A única exceção são os arquivos que eu posto em wma.
Estes arquivos estavam em outros formatos, como por exemplo m4a, e após alguns testes eu verifiquei que eles ficavam com uma qualidade muito boa nesta extensão. Não deve ser uma mera coincidência, pois há um outro detalhe que agora você deve observar bem; ambos os formatos wav e wma são específicos do sistema Windows e por isso mesmo eles costumam parecer que tem uma qualidade muito superior aos outros formatos, pois o sistema em si já está preparado desde o começo para reproduzí-los.
Sempre que possível neste blog eu tentarei postar o mínimo possível em mp3, não porque eu tenha mudado a minha opnião sobre o mp3, mas sim porque eu descobri que arquivos em ogg apesar de ter um bitrate variável na maioria das vezes tem uma qualidade maior do que arquivos de mp3 de 128 kbps de bitrate constante.
Mas claro que isso não é um desejo meu exclusivamente; há muitos álbuns que ainda não foram remasterizados ou que são muito dificeis de serem encontrados, então neste caso eu vou postar o que eu já tenho em mp3 de 128 kbps mesmo.
Pelo conhecimento que eu tenho eu não posso cometer a leviandade de baixar um arquivo em outra extensão e tentar convertê-la já que eu sei que fazendo isso eu estou estragando o arquivo por inteiro.
Você deve saber; uma música no formato mp3 de 128 kbps tem cerca de 1 mb por minuto, e há pequenas variações de ordem técnica que modificam o tamanho de acordo com o tempo da música, que como você também sabe, varia muito.
Então o que eu faço é usar o conhecimento que eu tenho de acordo com o material que eu possuo e com isso eu chego no resultado que eu pretendo. Logo, estas taxas baixas de bitrates são um mero detalhe, porque como eu não converto os arquivos que eu trabalho, eu mantenho intacta a qualidade dos mesmos, uma vez que eu não mexo na sua origem.
Para exemplificar isso melhor, é como se eu pegasse uma imagem de alta resolução e utilizasse um programa apenas para reduzir o tamanho dela. Como a imagem tem um tamanho grande, eu consigo manter a qualidade dela, se eu apenas reduzir a sua resolução.
Basicamente é isso o que eu faço com os arquivos que eu publico aqui; reduzo o tamanho deles, para ficar mais fácil para mim fazer o upload deles, já que neste momento não tenho internet de cabo na minha casa. Isso também te ajuda, porque você tem arquivos de tamanho reduzido, consegue baixá-los mais rápido, não ocupa muito espaço em seu hd e o que é melhor, você não perde absolutamente nada em qualidade.
Por isso se esta for a sua primeira vez neste blog, não se impressione com estas taxas de bitrates, aparentemente insignificantes, pois elas não significam, em hipótese alguma que estes arquivos tem pouca ou nenhuma qualidade.
Quando você for ouvir o primeiro álbum, seja ele em qual formato for, se possível use um headphone e se ele estiver muito gasto, pressione-o levemente entre os seus ouvidos, e perceba com que riqueza de detalhes você conseguirá ouvir todas as notas da música, independente delas serem graves, médias ou agudas.
Tenho a certeza de que você se convencerá do que estou dizendo; taxa de bitrate não significa qualidade. Qualidade se consegue sabendo processar um arquivo de áudio não o convertendo para outra extensão. Um dia eu não sabia disso, mas graças a Deus eu aprendi. E agora eu estou descartando todas as discografias que eu tinha em mp3 de 128 kbps e estou as refazendo do zero, com todos os álbuns remasterizados e publicando no blog.
O que você baixar aqui, é exatamente o arquivo que eu tenho e escuto no meu computador.
Agora, para encerrar este assunto, preciso dizer que para que você usufrua da qualidade máxima destes arquivos, você precisa ouví-los com o player de áudio que eu disponibilizo na coluna lateral á esquerda. Este player foi reconstruído por mim para refletir com 100% de exatidão as alterações que eu fiz e faço nos meu arquivos, e de todos os players que eu testei, este foi o único que alcançou a qualidade que eu buscava. Leia o tutorial, extraia para a pasta de sua preferência em seu computador, mescle as informações de registro em seu pc e descubra uma nova experiência em ouvir música como você nunca sonhou.
Obrigado por ter lido todas estas linhas. Fazer as coisas bem feitas dá muito trabalho, mas também vale muito a pena.
Bom, eu vou te dizer o porque destas taxas, mas antes eu preciso dizer algumas coisas que talvez você não saiba, se não tiver lido o texto da página inicial ainda ou então se tiver vindo parar aqui por meio de um link direto que eu coloquei em algum lugar da internet.
Eu trabalho com tratamento de áudio desde 2010 e paralelamente a isso eu estudo linguagens de programação de computador desde esta mesma época.
Eu não baixo os arquivos que eu posto aqui de outros blogs, ou seja, eu não pego arquivos mastigados de outro lugar, os converto e coloco na minha conta.
O que eu faço é baixar os arquivos em estado bruto, em suas versões originais, e então eu processo este material e deixo a extensão exatamente como ela veio, a diferença é que eu tenho todos os recursos, meios necessários e também conhecimento para deixar estes arquivos com bitrates abaixo de 100 kbps e ainda preservar a qualidade que eles tinham antes de eu manipulá-los.
Por exemplo, você já deve ter lido que um arquivo mp3 pode ser reduzido em até 90% do seu tamanho original.
Eu era um fã incondicional de mp3 por causa disso, e desde 2010 eu colecionava discografias inteiras em mp3 de 128 kbps. Se o arquivo que eu baixava vinha em um bitrate maior, eu o deixava com 128 kbps.
Eu criei este blog em 2013 e o deixei ocioso até o ano de 2016, quando comecei as primeiras postagens, todas em mp3 de 128 kbps.
Este ano, eu fiz uma experiência sem nenhum compromisso e o resultado me surpreendeu, e desde então eu vi que além de eu não precisar continuar só ouvindo arquivos em mp3 eu também podia ouvir as minhas coleções em outros formatos e taxas de bitrates mais baixas e o que é melhor, sem perder em nada no quesito qualidade.
E isso ainda não é tudo. Por exemplo, você já deve ter ouvido algum arquivo em formato wav na sua vida e sabe que estes arquivos costumam ser pesados, porque um arquivo wav tem uma taxa entre 1411 e 1536 kbps.
Com este bitrate, uma música de apenas 5 minutos tem o tamanho de 54,93 mb, praticamente maior do que um álbum inteiro em mp3 de 128 kbps.
Aqui há muitos arquivos no formato wav que eu baixei com esta taxa, e que na maior parte das vezes são álbuns que tem 700 mb ou mais, se forem albuns duplos ou bootlegs então, 1,5 Gb de tamanho no mínimo, se não mais.
Pois bem. Eu consigo uma taxa de compressão, no caso dos arquivos wav de mais de 96,5%, ou seja, maior ainda do que a compressão que o mp3 suporta, e como eu não converto este arquivo, ele não perde absolutamente nada de sua qualidade.
Este é o detalhe que muitas pessoas desconhecem; se você pega um arquivo de uma extensão com um bitrate alto e o converte para outra extensão com um bitrate menor, você destrói o arquivo por completo, porque uma vez que você muda a extensão do mesmo você também altera todas as freqüências dele, e tudo se perde.
No meu blog, o que eu publico em wav estava originalmente em wav; em ogg estava em ogg, e quando é alguma coisa mais rara que eu só encontrei em mp3 eu publico aquilo que eu já tinha. A única exceção são os arquivos que eu posto em wma.
Estes arquivos estavam em outros formatos, como por exemplo m4a, e após alguns testes eu verifiquei que eles ficavam com uma qualidade muito boa nesta extensão. Não deve ser uma mera coincidência, pois há um outro detalhe que agora você deve observar bem; ambos os formatos wav e wma são específicos do sistema Windows e por isso mesmo eles costumam parecer que tem uma qualidade muito superior aos outros formatos, pois o sistema em si já está preparado desde o começo para reproduzí-los.
Sempre que possível neste blog eu tentarei postar o mínimo possível em mp3, não porque eu tenha mudado a minha opnião sobre o mp3, mas sim porque eu descobri que arquivos em ogg apesar de ter um bitrate variável na maioria das vezes tem uma qualidade maior do que arquivos de mp3 de 128 kbps de bitrate constante.
Mas claro que isso não é um desejo meu exclusivamente; há muitos álbuns que ainda não foram remasterizados ou que são muito dificeis de serem encontrados, então neste caso eu vou postar o que eu já tenho em mp3 de 128 kbps mesmo.
Pelo conhecimento que eu tenho eu não posso cometer a leviandade de baixar um arquivo em outra extensão e tentar convertê-la já que eu sei que fazendo isso eu estou estragando o arquivo por inteiro.
Você deve saber; uma música no formato mp3 de 128 kbps tem cerca de 1 mb por minuto, e há pequenas variações de ordem técnica que modificam o tamanho de acordo com o tempo da música, que como você também sabe, varia muito.
Então o que eu faço é usar o conhecimento que eu tenho de acordo com o material que eu possuo e com isso eu chego no resultado que eu pretendo. Logo, estas taxas baixas de bitrates são um mero detalhe, porque como eu não converto os arquivos que eu trabalho, eu mantenho intacta a qualidade dos mesmos, uma vez que eu não mexo na sua origem.
Para exemplificar isso melhor, é como se eu pegasse uma imagem de alta resolução e utilizasse um programa apenas para reduzir o tamanho dela. Como a imagem tem um tamanho grande, eu consigo manter a qualidade dela, se eu apenas reduzir a sua resolução.
Basicamente é isso o que eu faço com os arquivos que eu publico aqui; reduzo o tamanho deles, para ficar mais fácil para mim fazer o upload deles, já que neste momento não tenho internet de cabo na minha casa. Isso também te ajuda, porque você tem arquivos de tamanho reduzido, consegue baixá-los mais rápido, não ocupa muito espaço em seu hd e o que é melhor, você não perde absolutamente nada em qualidade.
Por isso se esta for a sua primeira vez neste blog, não se impressione com estas taxas de bitrates, aparentemente insignificantes, pois elas não significam, em hipótese alguma que estes arquivos tem pouca ou nenhuma qualidade.
Quando você for ouvir o primeiro álbum, seja ele em qual formato for, se possível use um headphone e se ele estiver muito gasto, pressione-o levemente entre os seus ouvidos, e perceba com que riqueza de detalhes você conseguirá ouvir todas as notas da música, independente delas serem graves, médias ou agudas.
Tenho a certeza de que você se convencerá do que estou dizendo; taxa de bitrate não significa qualidade. Qualidade se consegue sabendo processar um arquivo de áudio não o convertendo para outra extensão. Um dia eu não sabia disso, mas graças a Deus eu aprendi. E agora eu estou descartando todas as discografias que eu tinha em mp3 de 128 kbps e estou as refazendo do zero, com todos os álbuns remasterizados e publicando no blog.
O que você baixar aqui, é exatamente o arquivo que eu tenho e escuto no meu computador.
Agora, para encerrar este assunto, preciso dizer que para que você usufrua da qualidade máxima destes arquivos, você precisa ouví-los com o player de áudio que eu disponibilizo na coluna lateral á esquerda. Este player foi reconstruído por mim para refletir com 100% de exatidão as alterações que eu fiz e faço nos meu arquivos, e de todos os players que eu testei, este foi o único que alcançou a qualidade que eu buscava. Leia o tutorial, extraia para a pasta de sua preferência em seu computador, mescle as informações de registro em seu pc e descubra uma nova experiência em ouvir música como você nunca sonhou.
Obrigado por ter lido todas estas linhas. Fazer as coisas bem feitas dá muito trabalho, mas também vale muito a pena.
Meu comentário:
Eu não me lembro exatamente qual foi o primeiro álbum do Kiss que eu ouvi, mas deve ter sido ainda na década de 80.
Naquela época, como ainda hoje, eu costumo ouvir algum álbum que eu não tiver ouvido antes com toda a atenção, e prestando muita atenção na música, principalmente no ritmo. Eu devo ter pensado ou falado, quando terminei de ouvir: ´Tá louco! Não tem uma música ruim neste disco!
Eu costumo dizer que quando uma banda tem muita facilidade para fazer arranjos simples, porém espetaculares, os músicos em questão tem muito bom gosto. Este é o caso do Kiss; desde o Bullfrog Bheer, os caras já mandavam bem nas melodias, e hoje não dá para imaginar que muitas músicas inesquecíveis, como Firehouse, Got To Choose, Ladies In Waiting, King Of The Night Time World, Love Em Leave Em, e Plaster Caster pudessem ser de outra maneira.
Eu tenho a seguinte opnião: alguém só pode se considerar um verdadeiro roqueiro se entre as bandas que ele curte o Kiss estiver incluído. Se não, nada feito. Porque o Kiss é a sintese do Rock & Roll. Tem muita banda famosa por aí que entrou para a música por causa do Kiss, muitos caras por aí que quiseram montar uma banda por causa do Kiss, e muitos felizardos por aí que conseguiram conquistar uma mulher porque cantaram para elas uma música do Kiss!
O que falar então dos produtos licensiados da banda? Dá para imaginar que alguma outra banda poderia criar uma linha de bonecos voltado para crianças da marca Lego que até os adultos comprariam para si mesmos? Eu realmente acredito que se o Kiss lançasse uma linha de penicos, ainda assim eles seriam bem sucedidos, afinal até camisinhas de marca própria eles tem.
Embora não seja a minha banda favorita, o Kiss está entre as 10 bandas que eu mais gosto e que eu mais escuto, desde 1984, quando eu comecei a ouvir rock. Curto tanto que eu não consigo ouvir apenas uma música de um álbum, normalmente quando eu ouço, escuto um disco inteiro.
Naquela época, como ainda hoje, eu costumo ouvir algum álbum que eu não tiver ouvido antes com toda a atenção, e prestando muita atenção na música, principalmente no ritmo. Eu devo ter pensado ou falado, quando terminei de ouvir: ´Tá louco! Não tem uma música ruim neste disco!
Eu costumo dizer que quando uma banda tem muita facilidade para fazer arranjos simples, porém espetaculares, os músicos em questão tem muito bom gosto. Este é o caso do Kiss; desde o Bullfrog Bheer, os caras já mandavam bem nas melodias, e hoje não dá para imaginar que muitas músicas inesquecíveis, como Firehouse, Got To Choose, Ladies In Waiting, King Of The Night Time World, Love Em Leave Em, e Plaster Caster pudessem ser de outra maneira.
Eu tenho a seguinte opnião: alguém só pode se considerar um verdadeiro roqueiro se entre as bandas que ele curte o Kiss estiver incluído. Se não, nada feito. Porque o Kiss é a sintese do Rock & Roll. Tem muita banda famosa por aí que entrou para a música por causa do Kiss, muitos caras por aí que quiseram montar uma banda por causa do Kiss, e muitos felizardos por aí que conseguiram conquistar uma mulher porque cantaram para elas uma música do Kiss!
O que falar então dos produtos licensiados da banda? Dá para imaginar que alguma outra banda poderia criar uma linha de bonecos voltado para crianças da marca Lego que até os adultos comprariam para si mesmos? Eu realmente acredito que se o Kiss lançasse uma linha de penicos, ainda assim eles seriam bem sucedidos, afinal até camisinhas de marca própria eles tem.
Embora não seja a minha banda favorita, o Kiss está entre as 10 bandas que eu mais gosto e que eu mais escuto, desde 1984, quando eu comecei a ouvir rock. Curto tanto que eu não consigo ouvir apenas uma música de um álbum, normalmente quando eu ouço, escuto um disco inteiro.
Se estou sem tempo, eu ouço uma música que eu adoro, 2, 3, 4 ou 5 vezes seguidas.
Uma destas músicas é Got To Choose, certamente uma das músicas que eu mais escuto desde sempre, pelo menos uma vez por dia.
Deu muito trabalho para reunir o conteúdo deste post. Muitas músicas, como por exemplo, Give It To You Easy, eu achei por acaso e nunca vi referência nenhuma dela antes de tê-la encontrado.
Dá para dizer, sem exagero, que a quantidade de músicas que o Kiss tem fora do seu catálogo oficial, dava para fazer outra discografia paralela de estúdio, tão boa como a que conhecemos. Chega a ser quase imcompreensível como uma banda pode se dar ao luxo de gravar tantas músicas excelentes e não lançá-las oficialmente.
Felizmente nós não tivemos conhecimento deste tesouro antes da internet ser o que é hoje, porque provavelmente teríamos de conviver com a idéia que estas jóias existiam, mas não poderíamos tê-las, muito menos escutá-las.
Eu mesmo que cheguei a comprar o Hot In The Shade zero bala em vinil não tinha como imaginar que hoje eu teria muitas mais coisas do que eu poderia sonhar. Se você também pensa assim, deixe o seu comentário.
Espero que você curta muito este acervo de pérolas, como se somente agora você estivesse descobrindo esta banda espetacular.
Uma destas músicas é Got To Choose, certamente uma das músicas que eu mais escuto desde sempre, pelo menos uma vez por dia.
Deu muito trabalho para reunir o conteúdo deste post. Muitas músicas, como por exemplo, Give It To You Easy, eu achei por acaso e nunca vi referência nenhuma dela antes de tê-la encontrado.
Dá para dizer, sem exagero, que a quantidade de músicas que o Kiss tem fora do seu catálogo oficial, dava para fazer outra discografia paralela de estúdio, tão boa como a que conhecemos. Chega a ser quase imcompreensível como uma banda pode se dar ao luxo de gravar tantas músicas excelentes e não lançá-las oficialmente.
Felizmente nós não tivemos conhecimento deste tesouro antes da internet ser o que é hoje, porque provavelmente teríamos de conviver com a idéia que estas jóias existiam, mas não poderíamos tê-las, muito menos escutá-las.
Eu mesmo que cheguei a comprar o Hot In The Shade zero bala em vinil não tinha como imaginar que hoje eu teria muitas mais coisas do que eu poderia sonhar. Se você também pensa assim, deixe o seu comentário.
Espero que você curta muito este acervo de pérolas, como se somente agora você estivesse descobrindo esta banda espetacular.
Um grande abraço.
Observação:
No
painel lateral você vê o Kiss marcado como tendo 56 álbuns, e aqui você
se depara com 22. Esta diferença é muito fácil de ser compreendida: eu
considero cada pasta como um álbum.
O álbum Revenge, por exemplo, eu considero como sendo um Box Set (5 discos) devido a quantidade de músicas e os tipos de arquivos deste álbum, que se fossem publicados individualmente, poderiam sem problema ser classificados como 4 álbuns distintos.
Embora eles estejam mesclados com os respectivos álbuns, devem ser considerados como álbuns á parte. Eu os juntei porque como é óbvio, muitos destes álbuns não tem uma capa, exatamente por nunca terem sido lançados oficialmente, embora tenham surgido como músicas soltas na internet.
O álbum Revenge, por exemplo, eu considero como sendo um Box Set (5 discos) devido a quantidade de músicas e os tipos de arquivos deste álbum, que se fossem publicados individualmente, poderiam sem problema ser classificados como 4 álbuns distintos.
Embora eles estejam mesclados com os respectivos álbuns, devem ser considerados como álbuns á parte. Eu os juntei porque como é óbvio, muitos destes álbuns não tem uma capa, exatamente por nunca terem sido lançados oficialmente, embora tenham surgido como músicas soltas na internet.
https://www.4shared.com/rar/D5JvTt9Xei/Artist46part01.html
ResponderExcluirhttps://www.4shared.com/rar/VFcvcen3ei/Artist46part02.html
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https://www.4shared.com/rar/hxWU3v7tei/Artist46part10.html
A senha de extração é o nome do blog por extenso, com todos os pontos e barras.
Só tem 10 músicas disponíveis... onde estão as demais ?
ExcluirPor uma razão que eu desconheço, ás vezes o endereço do blog aparece como http e outras como https. Para todos os casos, você deve digitar a senha sempre como http que a extração será feita sem nenhum erro. Mesmo porque depois que eu compacto as pastas, antes do upload eu sempre testo no meu computador para ver se está tudo ok.
ResponderExcluirCompressed folders pass = http://therockandrollparadise.blogspot.com.br/
ResponderExcluirAdair, você não entendeu como funciona aqui? Vou te explicar: estes links que você vê aí são os links do arquivos [das pastas compactadas, e não das músicas]. Esta discografia está dividida em 10 partes apenas, e cada parte tem 100 MB. É feito assim para ficar mais fácil e rápido de se baixar. Depois que você baixar todas as partes, você as extraí e todas as músicas que você vê listadas no post estarão em suas respectivas pastas. Logo mais eu vou atualizar este post e a ordem vai mudar, mas o sistema continuará a ser o mesmo.
ResponderExcluirShow!!! Excelente iniciativa!!!!
ResponderExcluir